The Golden Plumes of 1932

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Gabrielle Chanel believed jewelry had the power to transform oneself and to escape. When looking at these delicate 18K gold feathered pieces by CHANEL remade from her 1932 collection, I thought about those two words: Transform & Escape.

I thought about transforming oneself with our masks into good or evil, into the lightness or darkness, or escaping who we are in our day to day lives with jewelry being the stage we write our script to. Dancers have to be one of the most accomplished groups of people in the art of transforming and taking on roles. While in Paris I met one such dancer, Claire Camille, and wanted to bring this delicate collection of golden plumes, as imagined by Coco, to life and transform into characters so delicate you could imagine they’d simply float away together

Float away together I thought… I love the idea of escaping through jewelry. I have this beautiful gold globe designed by Monica Rich Kosann which I adore. When I wear this piece I escape on a million adventures around the world, discovering beauty beyond imagination and expanding on what limited time my eyes have left to see.

You can easily see how we define ourselves, where jewelry can take our imagination, something LoveGold showcases better than anyone. What does the jewelry you wear transform about you? When you truly want to escape, what pieces do you put on? Do you, too, play characters in the theater of life? On this early autumn day in Paris, here is where we drifted off to like a feather endlessly floating in golden light….

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CHANEL 1932 PLUME~

Earrings // Necklace // Bracelets // Ring

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The Golden Plumes of 1932 modeled by dancer Claire Camille for LoveGold // All Jewelry provided by CHANEL // Makeup by Thora Danielsdottir // Hair by Christophe Pastel

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ESME VIE

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The elevator doors opened onto the fifth floor of the historic Rafael Hotel in Paris, most notably the place where Grace Kelly & Jacqueline Kennedy called home, and there sat this beautiful woman in a blush colored dress with an explosion of satin roses cascading over her shoulder like a vision of what women looked like so many decades ago. The woman was designer Julia Voitenko and like what all modern women battle with, she was searching for a wifi signal. Not knowing who she was at that moment of meeting did not stop me from showering her with compliments and inquiring about every detail before me. When she realized I was there to see her collection, was the moment I realized the collection I was about to see was hers and into the suite we went.

She walked me through the idea of the “new wardrobe” for the modern day woman where she needs only own a few pieces that can be mixed and matched to create a variety of classic looks, one in which Julia describes as “beauty made to wear”. Pulling inspiration from the 50s and 60s the silhouettes remain timeless and flattering to all body types while being hand constructed in Italy from the most prestigious Italian silk {something we know a thing or two about}.

In suite fit for a Princess, overlooking that dreamy view of Paris, I fell in love with ESME VIE and her idea of dressing for ladies.

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Paris Time

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For the past 4 years we’ve have the greatest pleasure of enjoying Paris in the fall. First with Esteé Lauder, then for MAC Cosmetics, following with Ralph Lauren and this past trip with CHANEL. I feel so fortunate to be able to shoot for clients who see the magic in this city of lights as much as we do. After work we always stay as long as possible to eat, drink, shop, get inspired and take epic long walks in the enjoyment of life. I’m happy to have french friends and favorite restaurants. I adore how things never seem to change here- the same woman sells me my favorite chocolates, the same waitress serves us that day’s seasonal dish, though this year her english is much better… which kind of makes me sad. Then there is always the thrill of discovering something new. The rooftop of the Raphael Hotel was enchanting. Dinner on the terrace of Monsieur Bleu with this sparkling view was so elegant. And the home stores where on. point. this time.

Standing under the watchful eye of time I looked out over Paris thought about the years that have passed and how one day I’ll look back on this time in my life and say… “now wasn’t that just magical.”

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Boulevard Chanel

A couple of days before we left for Paris we got a call from Chanel. “Karl would like a few photographers to participate in the show, and Kevin, since you’re already filming from the riser, would you be interested?” Sweats nervously.

“Of course, as long as it’s not public humiliation.” Assured this was not the case, I arrived at Paris’ Grand Palais at 6am for rehearsals, along with a handful of other photographers and waited for instructions. A very French stage director walked the models through a mock protest,  led by an enthusiastic Cara Delevingne, which would close the show. The photographers would run out from the sides to “cover” the protest and do our best not to trip over ourselves and each other while running backwards.

Everything went off without a hitch. The models rebelled and disregarded the prescribed protest chant in favor of their own. No one tripped, and it was all an unforgettable, once-in-a-lifetime, Parisian morning on Boulevard Chanel.

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