Alison Elizabeth Taylor

You can’t think about New York City and not think about the incredible history of artists that have defined and redefined art through the ages. This year Kevin and I are cohosting the Brooklyn Artists Ball after-party, so the rest of this week we will be doing studio tours here of a few of the artists, all based in Brooklyn, who are creating special pieces to be on exhibition at each of the guests’ tables for the museum’s annual fundraising event.

When Alison Elizabeth Taylor opened the door to her studio in Brooklyn’s East Williamsburg neighborhood, you couldn’t help but first notice her burgeoning baby bump. This is an important thing to point out only because, once familiar with her work, you quickly understand how labor intensive it is. The end product, an intricate collection of wood pieces, starts from a sketch, then a wash painting, on to a graphite drawing, followed by an ink drawing, until finally the actual textile piece begins.

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Emily Noelle Lambert

You can’t think about New York City and not think about the incredible history of artists that have defined and redefined art through the ages. This year Kevin and I are cohosting the Brooklyn Artists Ball after-party, so the rest of this week we will be doing studio tours here of a few of the artists, all based in Brooklyn, who are creating special pieces to be on exhibition at each of the guests’ tables for the museum’s annual fundraising event.

When you walk into Emily Noelle Lambert‘s studio in Greenpoint you instantly feel happier from the colors, the freedom of paint, and the joy of the artist. The walls explode with pieces ranging from paintings to found wooden structures to metal works, the result of collaborations with her brother, who is a blacksmith. The center of the room is filled with one long descending table with a beautiful range of height, texture, and saturations of color, where all the sculptures seem to dance with each other. She talks to us about her creation for the Brooklyn Artist Ball and her life as an artist…

Emily on her sculptures being ”small gestures that turn into little moments that could live in a larger painting. I like to look at the texture and the history of each object and what each of the forms do and try to begin to have another conversation with what I pair them with. Once I started painting them them it really starts to feel like they are brush strokes themselves.”

On her centerpieces she is creating for the ball: “I really want the table to have more of a landscape feel. That is where I’m at now…I have all the pieces but I need to figure out the space between them, how they are going to speak to each other. ”

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Sébastien Dubouchet

Kevin and I were recently in Geneva on a shoot for one of our clients who put us in touch with Sébastien Dubouchet to help with assisting. I didn’t know anything about him when he showed up on a foggy Geneva morning and we got to work right away. As the day progressed, we all chatted in between shots and we discovered Sébastien was an amazing still-life photographer with his own studio and a camera to make my heart flutter. After we wrapped the shoot, we went back to his place downtown to see how the Swiss do it. Scissor lifts, a digital view camera, an app on his phone to control his studio lights… it was a photographer’s dream.

Kevin took off his watch and Sébastien did a quick test to show us his process while I asked him questions about how he became a photographer and what it means to him.

How did you get started as a photographer?

I started because I wanted to be a wildlife photographer, I loved the nature and going out to see animals, wildlife, everything. I didn’t want to go into the world of adult people, I didn’t want to grow up. I was traveling and looking for strange animals trying to catch them with my camera. After a few years I realized I couldn’t make any money like that. So I started working in a hospital for a photographer of opthomology. The only field in the hospital where they have a complete department in photography. I then started to work for Stefan Vos as an assistant on everything from Harry Winston to Chopard. I spent 4 years with him and then I decided it was time to go out on my own and start my own studio.

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April in Paris

God knows, when spring comes to Paris the humblest mortal alive must feel that he dwells in paradise…

- Henry Miller

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