Tag Archives: 4×5

Old School Photography

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Each year, these prints are my little labor of love. This year’s holiday card began almost one year ago, at the beginning of 2015. While shooting a project for Tiffany & Co., we had the opportunity to rent a private helicopter to get aerial shots of Manhattan. I learned two things from that early winter morning ride: 1. I am deathly afraid of helicopters and 2. I wanted this year’s holiday card to be a print of my great love, New York City. Looking down on her from this birds eye view gave me a new visual sense of the layers of history in this city from which we build our own futures. I understood her in a new way and that’s what I wanted to capture.

Considering there is not enough Xanax in the world to get me in a helicopter again, I had to find a new strategy for shooting at this high but intimate angle. Though I love the views from the obvious choices—Empire State Building and Top of the Rock—they didn’t give me the towering sense I was seeking. From the tops of those iconic buildings, the city is dwarfed and dense, slightly out of reach. As luck would have it, our friends from The New Potato were hosting a party with Riviera Events on the 68th floor of the newly completed Four World Trade Center. It’s one of those moments in life where everything falls into place, as if designed by destiny. Here we are in the Financial District, where we work, standing in a building that is part of the present, looking down on the past. It was just what I wanted.

It was an incredibly difficult shot to take. Using a Linhof 4×5 film field camera, the cityscape was not bright enough to register on the ground glass where you do your framing and focus check. Only a few faint street lights were visible for me to use as a rough guide but for the most part I was shooting blind. This also applies to metering: I had no way of knowing if I would be right on the money or not, so I just applied what I knew about the sensitivity of film to light and my experience with it the past 19 years. The image that ultimately made the final print was a 5 minute exposure on Ilford Delta 400ISO film.

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After the image was captured, we packed up and headed to my favorite darkroom in Boston for printing (which made for a great 24 hour Snapchat story!)

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The text that accompanies the print:

This is a limited edition fiber print of downtown Manhattan, not far from where our own studio lives on a narrow passage called Ann Street. It was photographed from the 68th floor of the recently completed Four World Trade Center on 4×5 black and white film, hand processed, printed, and pressed by the artists.

In “City #1”, we look down on Manhattan’s past through the layers of history stacked one by one on top of each other like crowded building blocks ever reaching taller to the heavens. We are faced with our present which, without fail, succumbs to that unknown future which lies ahead, glowing in hope and weighted in that tide that brings us all to New York: our dreams. We gaze down and all we see is looking back up.

We thank you for coming along with us on our endless journey and hope that you cherish this print as a way to say thank you for an amazing year. Each print is signed, numbered and dated.

Happy New Year!

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“City #1”, 2015

  See 2014 here.

See 2013 here.

See 2012 here.

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Men in This Town

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I met Giuseppe Santamaria, a men’s street style photographer, back in 2011 covering NYFW together. Since I’ve watched Giuseppe’s career and photography really grow into something very special in the men’s style realm. So special, in fact, that a book of his photographs was published this September called “Men in This Town“.  Giuseppe’s approach to photography, men’s fashion, and street style is quite romantic and not at all trendy or concerned with the “who’s who”. He really shoots from his heart. We sat down at our studio last week to catch up and ask him all about his first book~

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Above, a portrait of the photographer photographed on 4×5 black & white film

How did Men in this Town begin?

It started with a tweet. I had photographed my friend’s cookbook cover, and then I started following his publisher on Twitter. One day he said, “Done for 2013 books. Onto next year. Any ideas?” I jokingly tweeted back, “How about a Men in This Town book?” And a year later, it came out.

When did you first start photographing?

By trade I’m a graphic designer. I’ve been working with photos and amazing photographers my entire career. That’s where my eye was trained – not conventionally at all.

How did you learn photography?

(more…)

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Kyle Ford

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Every so often, you meet someone in a way that could only be described as serendipitous. Such was the case when we traveled to SCAD Lacoste and met photography professor Kyle Ford, a fine-art photographer who normally is based at the SCAD Hong Kong campus, but just so happened to be teaching the summer session photography classes at SCAD Lacoste.

As we know well, I love talking to other photographers…it’s always such a pleasure and honor to engage with people about their passions, especially when it’s in a field that I know and love myself.  So it wasn’t long before Kyle and I were planning a photo adventure in a Provençal vineyard and closing the night at a spectacular restaurant with our conversation about his path to photography, why he chooses film, and the research and thought behind the work he creates now…

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What was your first photograph?

I was seven years old, and there was a competition I think my mother encouraged me to participate in. She was a painter, an artist, and perhaps she was hoping I would draw something or paint something, but I ended up photographing something. It was a tree. I photographed what I thought was a ghost, and I thought that was great as a seven-year-old…it was really my breath in front of the camera.

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Caroline Ventura

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As an artist there are some people who I LOVE photographing. I could photograph them everyday. There is something about their beauty, bone structure, and spirit I love to capture, that my eye finds fascinating and wants to study them over and over. This is the case for jewelry designer Caroline Ventura who is one of (along with Heather) my muses. I first met Caroline on a shoot for Cup of Jo three years ago and we have been friends ever since. Did you know she was the first cinemagraph we ever shot? We just never tired editing it until AFTER our first public one. She was the first person I photographed at our old studio and this shoot is our first together at our new one.

We are both artists and we have known each other as photographer + subject for sometime now. I’ve shot Caroline beautifully, I’ve shot her COOL, but as we have been getting older we are looking to find more depth in our work. I’ve been wanting to focus less on the clothing in my personal shoots these days and more on the beauty of the female form. Caroline and I were going to meet up for dinner and I said, hey, let’s do a shoot before we head out, which eventually turned into a night of film photographs, margaritas, girl talk, and these moments below.

… and just for fun I asked Caroline a series of fill in the blank questions just for a new take on an old friend.

I am most inspired by…

My friends. I’m so lucky to have an incredible circle of talented friends who all support each other and push one another to do/create beautiful things.

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An ideal day for me is…

When I can see blue skies. As long as the sun is shining, anything can be thrown my way.

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My favorite artist is…

Lia Chavez, who is doing really beautiful things in the art world right now. I am so fortunate to call her a friend. Her solo show, Carceri, just opened at Two Rams on the LES. She is one of the gentlest and most humble humans and a huge inspiration to me.

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The best way I express myself is…

With my mouth. I talk a lot.

Caroline_Ventura_25  New York City is…

Home. No matter where I go in my life it always pulls me back.

(more…)



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