Tag Archives: accessories

#Wanderlust

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I‘ve always dreamed of traveling and I feel so very lucky that my job takes me around the world to be witness to and capture the wonder and beauty of different cultures, natural marvels, and lifestyles. One of our most recent journeys was to the island of Bali to shoot Cuyana’s summer campaign. We added a few days to the trip so we could truly experience the island, hosted by our friends and Bali natives at John Hardy who know the island so well. Staying at the Villa Campuhan was one of those pinch-me moments when your wanderlust dreams come true in the pure definition of paradise…we ate only the freshest food in an open air pavilion overlooking the Balinese ocean, we drank coffee with the sunrise and spent the hot afternoons swimming and reading. This special place fit right into LoveGold‘s summer of #wanderlust campaign… I can’t wait to see where other people travel to over the next few months and if they are lucky enough to be adorned in luxurious hand crafted gold like I was. Here is what I wore at the breathtaking Villa Campuhan…gold to match the sun, white to keep cool, anything to flow like the ocean and only bare feet ~

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Above & below John Hardy Bamboo Collection gold and diamond pave cuff and ring // MAIYET skirt & Ralph Lauren top

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Maria Brito

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I met Maria Brito last year when she began working with and advising Kevin and I on our personal work and where to take it. We started doing artist studio tours together around Brooklyn – Maria has an amazing knowledge of the art world, not only in New York but around the world. Her blog and Instagram do a great job of taking you along for the ride! And in case that doesn’t sound chic enough, she covers art fairs like Basel for publications such as Elle; she was featured in Vogue Brazil; she buys art for P. Diddy’s (Sean Combs’) homes; she’s written a book about living with art; she’s a wife and a mother of two; and now, because she has soooooo much free time ;) she is marrying her two passions, fashion and art, by launching a very limited edition capsule collection of clutches. These pieces feature three different artists -  Kenny ScharfErik Parker and Carlos Rolón/Dzine - in editions of 20 exclusively at Kirna Zabete in SoHo and online. They are truly “wearable art”, pieces that will increase their value through time, and that are themselves timeless.

Below are a few questions I had for Maria about what she wants to do now, what other A-listers are on her client roster, and her thoughts on how to buy art…

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So these clutches are amazing! Where did you get the idea for them?

“I had been looking at the idea of doing product. I wrote a book, I do design services, I post things on my blog, so I thought it was about time to do something else. I had been looking at art collaborations, and while I thought some of them were very cool, I realized I wouldn’t necessarily wear what’s available right now. I wanted to create something that my friends or my clients or that I would actually wear, so I came to the idea of doing these clutches. I emailed a few artist friends about the idea to validate that the prototypes were going to work, and they all said, Yes. And the beautiful thing is that in the end, it worked out. So really it came as a natural progression of what I do.”

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 So tell me about each of the three pieces of art…

“The zebra print one is by Dzine, his name is Carlos Rolón, he’s an artist who’s based in Chicago. He’s from a Puerto Rican background, so we connect really well because we’re both Latin. This was a piece made for a show that was at Paul Kasmin at the beginning of the year. I took a detail, because it’s a big square, so I had to crop it so it would work for this shape…I feel it works really well for this type of thing.

The white clutch is from Erik Parker. The original is a diptych – it is actually hanging in the house of one of my clients. It’s huge – 6 feet in height by probably 9 feet in length. It’s separate because it’s a diptych, so I decided to play with it and put it together. It worked out really well! This one came full circle because it’s in the house of my client and now…well, you know what I mean.

And the Kenny Scharf one came from a piece that he did in the 90s. It’s also a detail. He’s very known for doing those creatures and little animals, so of course he told me, “Choose one in my archive of 600,” and it was kind of hard. I mean, it’s not that it was hard, having 600 pieces to choose from, but I wanted in particular to have the little creatures! I loved how this turned out to be. It’s very playful.”

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FEED Heritage Bags

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Another New York Fashion Week is beginning today, which means a full week of beauty, glamour and all sorts of gowns…but I thought it would be nice to kick off the coverage by focusing on a brand that really thinks about the world around us and changes it for the better one mouth at a time.

FEED, founded by the wonderful Lauren Bush Lauren in 2007, has so far been able to provide over 75 million school meals globally through sales of a collection of totes, handbags, wallets, jewelry, t-shirts, scarfs and more. This season, FEED is introducing a new luxury collection of leather bags (I personally LOVE) handmade by master artisans in Kenya. Each item you purchase, whether it is one of the leather totes (available this fall) or a burlap all function bag, has a number on the back which tells you how many meals for the year you have provided with your purchase. I was intrigued by this design decision, because it’s so rare that you get to know and fully understand the personal impact of something you buy. When I complimented Lauren on it, she said she wanted to make sure FEED was tangible and meaningful in a way you can relate to personally and not simply a “percentage of proceeds” product.

The amazing thing about the production of the FEED products is not only the good that is brought about from the sales but also that it provides sustainable employment to the local craftsmen in Kenya or Guatemala who can then send their kids to school where they can have nutritious meals sourced from local farmers. Lauren’s passion toward the work she does with FEED comes through so clearly, whether she’s talking about how the beading on one Kenya Messenger Bag took two and a half days, or through watching the 8mm films of school children in Africa she shot on her most recent trip.

So here is to remembering this Fashion Week that there is nothing more fashionable than doing good.

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Chopard Watchmaking

As I walked through the rooms of Chopard’s watchmaking house in Switzerland I was struck by the interesting balance between man and time. Here were the artisans, these specialized skilled craftsmen working with precious metals in parts so tiny my naked eye could not see it. They are making time, they are making something that counts it beat by beat, but they are doing it by hand and they are doing it over months. Many of these skilled hands dance around the piece: building it from part to part, polishing each layer until it gleams, checking and double-checking for any flaws, carefully putting each tiny component together under a magnifying glass. As the watch comes together, the viewer can only stand in awe at this delicate harmony of machine and man. In a world where technology continues to take over more and more of our lives, it’s hard to believe that humans still play such a large part in this, the art of time.

But this – this is how Chopard makes a watch.

Watching the stunning L.U.C. watches (named for the founder, Louis-Ulysse Chopard) come to life gave me so much appreciation for Chopard’s devotion to quality. It was inspiring to watch mere men & women put these intricate and complex pieces together, more than beautiful watches but award-winning, certified time pieces to be cherished forever.

Come with me as we watch Chopard make an art of time…

  

  

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