accessory design – Ann Street Studio

Another New York Fashion Week is beginning today, which means a full week of beauty, glamour and all sorts of gowns…but I thought it would be nice to kick off the coverage by focusing on a brand that really thinks about the world around us and changes it for the better one mouth at a time.

FEED, founded by the wonderful Lauren Bush Lauren in 2007, has so far been able to provide over 75 million school meals globally through sales of a collection of totes, handbags, wallets, jewelry, t-shirts, scarfs and more. This season, FEED is introducing a new luxury collection of leather bags (I personally LOVE) handmade by master artisans in Kenya. Each item you purchase, whether it is one of the leather totes (available this fall) or a burlap all function bag, has a number on the back which tells you how many meals for the year you have provided with your purchase. I was intrigued by this design decision, because it’s so rare that you get to know and fully understand the personal impact of something you buy. When I complimented Lauren on it, she said she wanted to make sure FEED was tangible and meaningful in a way you can relate to personally and not simply a “percentage of proceeds” product.

The amazing thing about the production of the FEED products is not only the good that is brought about from the sales but also that it provides sustainable employment to the local craftsmen in Kenya or Guatemala who can then send their kids to school where they can have nutritious meals sourced from local farmers. Lauren’s passion toward the work she does with FEED comes through so clearly, whether she’s talking about how the beading on one Kenya Messenger Bag took two and a half days, or through watching the 8mm films of school children in Africa she shot on her most recent trip.

So here is to remembering this Fashion Week that there is nothing more fashionable than doing good.

Continue reading “FEED Heritage Bags” →

One thing Robert Lee Morris is is a true artist. He has not only received two CFDA awards for accessory design but was also awarded the CFDA’s Lifetime Achievement Award in 2007. After digging around his studio, we had to bring some of the history to life. Modeled by our beautiful friend Taylor Livingston and styled by Kelly Framel, Robert took us through the stories and inspiration of his collection of art we call accessories.

Above image: “The long earring was a handmade, one-of-a-kind construction meant to evoke the feel of a water spout, or gingko leaf.”

Below image: Headpiece designed for a Kansai Yamamoto show, made of natural blonde horsehair; this piece was worn by every model on his Spring 1983 runway at once.

Above & below, on the breastplate: “I made it to form fit the body of Sayoko, which she wore as the bride, the finale look, under a massive embroidered coat while also wearing a very high crown I made of golden wings, formed from the reconfigured struts of a Japanese umbrella, set on a metal headband and sprayed with gold dust. This piece is incredibly special as it was the one item that I showed at the FIT museum show called IMPACT, which commemorated the 50 year anniversary of the CFDA.”

Below image: “That belt is a brass disc with a square center ~ inspired by Chinese coins ~ and I made it as part of my belt license in the early 90′s. I believed in a form of body language, where a big disc at the waist was protection for the belly, the third chakra, the power of action and doing.”

Above image: “The inspiration was futuristic armor, and it turned out to be one of the most beloved of my major headpieces for Kansai, very well-photographed for years after. This bubble collar was a version of the one that graced my very first cover of Vogue…this was one of the iconic pieces that helped build my early brand image.”

Robert created 12 of these headdresses, one for each model in the Kansai Yamamoto Fall 1982 shows in Paris, New York, and Tokyo.

Above image: “This green patina jumbo disc belt was made for the Calvin Klein Fall 1981 show; the inspiration was moss-colored river stones, Ireland, and the emeralds of Africa. I have kept this piece very safe and in mint condition since that show.”

Above image: “The mask was made from a mannequin of Sayoko Yamaguchi, the supermodel of the early 80′s and the muse of Kansai Yamamoto. I love this one because of the unique green patina and how the area of the eyes is left as brass. This was part of a limited production of masks that I sold at Artwear.”

From 1977-1995, Robert Lee Morris founded and ran Artwear Gallery, dedicated to showcasing wearable sculptures in the same sort of context as contemporary art.

Tag: accessory design

FEED Heritage Bags

Robert’s Muse