Chanel Haute Couture

I had never photographed couture before, but I had dreamed about it for years, ever since my first meeting with CHANEL. To see, to touch, to photograph something so special, so one of a kind, would become one of my greatest honors. I think every great photographer has their first “couture story”…the pieces are so rare that couture comes with quite a bit of fuss.

Coming straight from the runway in Paris, the fall 2014 Chanel Haute Couture collection visited New York for two days. I could have the pieces from 7pm to midnight at our studio which took three guys and two guards to carry up. The garments lived up to all my ideas of what haute couture is: immaculate quality, so intricate you could get lost in the details…fascinating aspects to the construction, just layers upon layers of depth and design. It is, quite simply, wearing art. Photographs will never capture the way the beauty feels in person, it’s like seeing a photo of a Botticelli painting online and standing in front of one in Florence. It brought tears to my eyes.

So what is haute couture?…

Haute couture, meaning “high fashion”, can be traced back as early as the 1700s at the court of Marie Antoinette, but the father of haute couture was Charles Frederick Worth, the man who changed the public perception of dressmakers from laborers to artists. At his atelier, he would create a living portfolio, a display of his work on models from which clients could choose a piece for themselves.

From this foundation, many couture fashion houses were born – so many that the term “haute couture” is actually defined and protected by a committee in the French government who have certain criteria in order for a fashion house to meet the haute couture standard. At the beginning of the twentieth century, there were well over a hundred houses considered haute couture, now there are only around a dozen.

Chanel is one of those legendary haute couture houses. Beginning in the 1920s, Coco Chanel revolutionized the fashion scene by ignoring typical fashion standards – creating a false bust and hips, using corsets to narrow the waist – in favor of fashion that allowed for women’s comfort while creating a new kind of polished style. As Coco continued to design until her death in 1971, Chanel became well known for creating fluid, effortless pieces that oozed glamour and sophistication. Today, under the vision of Karl Lagerfeld, Chanel continues to set the bar for the haute couture side of the fashion industry… to say the least.

So here we are, on an early autumn night at our studio, the windows are open with the distant sounds of New York city flowing in as stylist Kelly Framel is dressing our model, actress & artist India Salvor Menuez and I am standing on set ready to go to another world- one in which only Chanel can take me.

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Clothing & High Jewelry by Chanel Couture // Modeled by India Salvor Menuez // Styled by Kelly Framel //  Makeup by Christine Cherbonnier // Hair by Joseph DiMaggio // Manicure by Angel Williams //  Concrete Mural by Mr Perswall for Wallpaperdirect

All things CHANEL here

There’s Something About Maggie

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One of the greatest aspects to being a photographer is all the amazing people that you meet that dance in and out of your life only to reappear down the road with new stories to share and new images to create together. Back in November 2012 we casted model Maggie Geha in our Lincoln Motor Co. Cinemagraph shoot. It was one of those shoot days where everything came together perfectly and we all bonded in such a fun, creative way. After that shoot Kevin and I were watching an episode of 30 Rock and BOOM! There was Maggie! It was so exciting to see her acting career take off. Fast forward to a flight from NY to LA this past January, Kevin and I started watching the Beyonce music videos and BOOM! There was Maggie again in “Pretty Hurts”! So I sent her an email to catch up and hear about all the amazing things she has been up to since our first shoot together. When she told me she was moving to L.A. soon I said that’s it, we have to do a shoot together before you go. Since I controlled the way she looked the first time we shot her, I let Maggie tell me how she would like to be photographed – 90s Guess Jean Ad Supermodel. DONE. We sat down afterwards to talk about Maggie and hear what this redhead plans on doing next…

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Maggie! It’s been so long! We last saw you in November of 2012 for our Lincoln shoot. What have you been up to since then? 

I had a really great 2013 in terms of work, continuing with modeling and beginning  acting. Major highlights – I did a Hanes campaign, I was featured in Beyonce’s “Pretty Hurts” music video, I booked a role on the series finale of 30 Rock, I did my first soap opera, All My Children. I had a really teeny tiny, “blink and you miss it” role in Winter’s Tale but I spent the day with Russell Crowe and Colin Farrell and director Akiva Goldsman so that was really cool; it was my first major movie set! I also did a Marc Lawrence film with Hugh Grant and Marisa Tomei, where I had a more substantial, fun part. That comes out this year! It’s called The Rewrite. They’ve “renamed” it many times! I worked several times on Good Morning America which was super fun and I booked my first two commercials with one of my favorite directors, Wyatt Neumann. What else? I worked with supermodel David Gandy on a short film for Bionda Castana which was fun and sexy, like this shoot!

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Maggie wears: bra from H&M, pants from BDG, and vintage neck scarf

What are the major similarities between acting and modeling?

Some people think that modeling and acting are completely different and that a modeling career can hurt an acting career, which I can understand, but I also think they can help each other. I mean, I feel like I act while I’m modeling and embody the concept of whatever we’re shooting, and modeling has provided me with an awareness of the camera and lighting, so they kind of go hand in hand that way.

Ultimately, I’d like to be working primarily in film and television, but I think I’ll always love modeling too. I would like to be able to do more fun creative shoots with really specific concepts. I love period pieces – like we did last time, and even this time. I like that kind of work. For me, in the beginning – I’ve been modeling for maybe three years – and for the first couple of years, it was lookbooks and catalogue and e-commerce and a lot of bridal, and it was more a means to make money. But modeling can also be a really great form of creative expression.

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