Tag Archives: fashion editorial

Pantin in Polaroids

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Recently we played around the studio with Chanel’s Spring Summer collection. Here are some behind-the-scenes Polaroids I fired off with my passport camera as Laurel brought to life all these kooky characters that reminded me of the subjects Cindy Sherman portrayed in her old black & white photographs…but this time, wrapped in Chanel and in living color.

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Miss Amy Keller

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With her porcelain skin and manicured lip, Miss Amy Keller is such a lady to me. One of my favorite secrets about Amy is that she doesn’t have Internet service at her apartment, opting to actually disconnect from work and the world when she goes home at night, choosing instead to read books of poetry. How lovely is that?!

When prepping for this shoot, I began by referencing paintings from the Edwardian era with its nods to society, social standings, fashion and luxury, taking inspiration from works like Giovanni Boldini’s “Portrait of Princess Marthe Bibesco“ and John Singer Sargent’s “Lady Agnew of Lochnaw“. Amy reminds me of King Edward VII, a leader of the fashionable elite and style-setter across Europe – as director of digital strategy at Linda Gaunt Communications in fashion public relations, she has her hand in creating the image and vibes of fashion brands like Hunter, LL BEAN, Trina Turk, Talbot Runhof, & Stila Cosmetics. She’s often emailing with ManRepeller or Into the Gloss, pitching story ideas or helping them with product information. Amy has dressed me for unforgettable events and took us up to Maine to learn about the iconic American brand L.L. Bean Signature. Aside from fashion and beauty, she even influences language trends – I learn all of my “fashion girl lingo” from her… “Totes”, “That’s my jam”, “Break it down”, and “Obvi” to name a few.

So here is my portrait of a lady, floating on a painter’s canvas, poised and beautiful, lovely as ever, just the way I imagine her in those Madison Avenue power meetings.

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Perfect day in New York?
Open the curtains, matcha, run through Prospect Park, head to my City + walk North, bump into friends I love, take pictures of things I’ll post nowhere and window shop everything!

Favorite trait of New Yorkers?
Resilience.

Favorite NYC secret?
Does this city still have secrets?

*above Amy wears Lela Rose // below in Talbot Runhof*

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Fashion is…
Costumes.

Women are…
beautiful works of art.

Favorite poem?
“He who binds to himself a joy
Does the winged life destroy;
But he who kisses the joy as it flies
Lives in eternity’s sun rise.”
- William Blake

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Tia Cibani’s Designs Dance

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Movement. When I was interviewing designer Tia Cibani at her studio, one of the references of inspiration for her fall collection was just that, movement. The full dancer skirts, gathered backs, swinging dresses, and loose silhouettes all flow in graceful motions. Even in the fabric design, the blurred lines of the rose print look as if the fabric has flown by you, leaving behind only the scent of roses. The clothes hanging there in the showroom were screaming at me to be whirled around, caught in the wind, and flicked off a finger.

I asked Amy, a recent New Orleans transplant and a trained dancer (in ballet, jazz, AND tap) to come in and be our movement, our graceful, elegant motions. We started talking about dance, about her motivation to dance, and she said, “I love when you find that vulnerability of not caring and letting your body completely take over. It’s very invigorating.” And it was indeed, an exhilarating live performance piece in the middle of our studio; garments singing in ripples of red satin, billows of draped tweed, twirls of shining pleats!

After the shoot I asked Amy what it felt like to dance in these clothes, and she replied, “I felt like a goddess, like a queen. It was so beautiful, it moved with me like an extension of my body.” Now that sounds like an outfit I could dance my way through Manhattan in, too…

 

 

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Soft Romantic Beauty with Butter London

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It was a full studio of artists for this romantic shoot! From our tintype specialist Giles Clement to the excellent hairstyling of Joseph DiMaggio and our beautiful redheaded makeup artist Morgan Gates, with her kit full of Butter London, it was clear that beauty was going to be made. Here we offer you a sneak peek at some behind the scenes images, plus the how-to on our muse’s soft & dewy look and naturally nude nails…

Butter London is a company with something for everyone, their motto is no rules – inspired by Great Britain’s rock and rollers (check out the British slang names and cheeky definitions of each product!) they’re all about having fun with your look! Their fall collection launched with bold, bright colors, while their spring collection is more toned down and neutral.

One thing I love is how many of Butter London’s products are multi-use: blushes can also be used as lipsticks, cream eyeshadows can be highlighters – because they know the Butter London girl is on the go…and aren’t we all?

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Soft and dreamy makeup…

Morgan suggests prepping the skin with Burt’s Bees Rosewater Toner, as a way to freshen and wake up your skin.

Moisturize the skin all over with Embryolisse Lait Creme Concentre - it used to only be available overseas, but it’s now sold in the US! Morgan says it’s among her top products because it hydrates so well and makeup wears really nicely on top of it. Gently smooth on Lucas’s Papaw Ointment on any dry spots around the nose or on the lips. Finally, use Butter London Hydrating Balm to get extra moisture.

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Smooth Makeup For Ever HD Foundation all over the face to perfect and smooth the skin. Anywhere you need extra coverage – under eyes, to cover any redness or dark spots – use Tarte’s Maracuja Creaseless Concealer. This creates a really smooth, natural feel instead of one color all over!

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Blend a little bit of Naughty Biscuit Cheeky Cream Blush to define the cheekbones without getting excessively colorful.

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On the lid, use Twigged Wink Eye Pencil, drawing close to the lash line and then using a small smudging brush to blend quickly (be careful, it dries fast!) blending quickly up to the lid. This creates a gradient up into the crease – and Morgan recommends Twigged because it brings out wonderful tones in everyone’s eyes!

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