Tag Archives: kevin burg

St. Regis New York

Oh the glamorous St. Regis New York hotel. I seem to always find myself here if it’s for a photoshoot, to film a video, attend a midnight supper, watch a  New York Fashion Week designer shows, or meet a client at the King Cole Bar for cocktails. Nestled in the heart of Manhattan its unyielding standard of elegance, history, and hospitality make it the perfect place to find yourself for any reason. Having just finished a new redesign throughout the hotel the property feels contemporary and fresh without loosing the formality synonymous with its name.

When Kevin and I wrapped a very intense shoot out in L.A. last week for Volvo we decided to carve out some R&R time, and take a moment to celebrate how far we have come and what we have survived (cough, 3AM call times three days in a row). Since I went for days shooting outside with no makeup, dirty from crawling on the ground and sweaty from standing in the sun, I wanted full fledged romance with crystal chandeliers, red lipstick and high heels.

So we had a little staycation at the St. Regis New York with champagne and oysters, fine dining and dessert followed by sleeping late and lazy morning baths. It was heaven and for a moment, high atop a building in Midtown Manhattan, we felt like two kids drunk in love lost in a beautiful castle in the sky.

StRegis_NewYork_01  Above, Kevin wears his new Ralph Lauren suit as we arrive to the St. Regis with our Hartmann Tweed weekender. Below, I wear a Ralph Lauren white boatneck summer dress and Elie Tahari heels.  StRegis_NewYork_02 (more…)

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Behind the Scenes at SAB


Last week was a really exciting one for us both creatively and culturally. The past month we have been working feverishly on a series of cinemagraphs we made with the School of American Ballet we shot back in February. It’s always been a dream of mine to shoot ballerinas as I so admire their lines, pose, discipline and beauty of dance. As you saw, the cinemagraphs were displayed in the David H. Koch theater of Lincoln Center’s Metropolitan Opera House. These cinemagraph portraits showed the art of ballet caught at it’s best eternally. The perfect pose, spin, point, there to study and be inspired by its beauty. In addition to the cinemagraphs, on this day we also shot the staged dance sequences for the video.

Just to give you some behind the scenes at SAB’s shoot, we kept the setup pretty simple. The inspiration was based on Eadweard Muybridge’s studies in motion from the history of photography. We wanted to study the ballerina, the form, the movement and motion. We decided to put them on two 12×12 Solid black backdrops and asked the dancers to wear all white. With two large Arri M18 HMI lights we pointed up bouncing the light off the white ceiling illuminating the dancers from above going for an effect of a large skylight for a classic and natural feeling. After tapping down a black rubber floor, the stage was set.

We shot six of SAB’s students in one of their dance studios at Lincoln Center. One of the great things about SAB is how they use live piano players, which we had for our shoot, and hire the most passionate teachers. On this day we worked closely with Suki Schorer who directed the dancers throughout the shoot and tweaked their hands or feet positions with every shot.

It was such a joy to create around a thing of incredible beauty like in ballet. After every dance sequence I would applaud and smile from sheer joy… until Suki told me to stop clapping because that tells the piano player to stop playing and nobody wants that.

Here is a peek behind the scenes shot by our assistant Diana Ola~

behindthescenes_SAB__03 behindthescenes_SAB__04 behindthescenes_SAB__05 behindthescenes_SAB__06 (more…)

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School of American Ballet


Last night was the School of American Ballet‘s Winter Ball in the David H. Koch theater of Lincoln Center. It was a very special night for Kevin and I as for the past couple of months we have been working closely with the team at SAB making a series of ballet cinemagraphs as well as a short film on the lives of SAB students to be shown here on this evening to the distinguished guests that donated / raised over a million dollars last night to aid in the scholarships that allow less fortunate students full of talent to attend this world class school.

It’s not often we get to experience our work “out in the world” or be present when someone sees it for the first time. It was a thrill! Walking into the gallery under dancing cinemagraphs delighting the guests in perfect poise and flawless execution was so charming and I felt, as I sat there, very respectful the discipline and study of dance. It was a great honor to be in the professional position to donate our time and talent to support something we greatly believe in, the arts, and to which we relate as far as the student experience is concerned- coming to New York with a dream and a whole lot of passion.


So honored to wear this gorgeous Ralph Lauren silk gown, diamond earrings by the event’s main sponsor Van Cleef & Arpels and a clutch by the the Winter Ball’s event co-chair Amanda Brotman from her evening bag line Amanda Pearl 

(remember the last time I wore a Ralph Lauren gown in Paris…)



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A Cinemagraph Journey


Today we got some good press… As I woke up to friends tweeting and texting me I hesitantly went to read the article. I’ll be honest, reading about your work from someone else’s perspective is always terrifying. Do they get it? Do they even like it? Are we on the right path, saying the right things? Sometimes, when you are “in it” its hard to see the bigger picture. I read this article and looked back on this crazy cinemagraph journey that started 5 years ago and I have to say, an overwhelming feeling of pride and love came over me. I love my work, I love that I get to do what I love as work, and I feel so, so, very lucky that people like it. That there is a digital audience to even see it and if we do a good enough job at reaching an emotional string- share it with their own networks.


Last summer I read a book about Edward Weston where he said in 1930:

“If this could happen- a beautifully printed book of my work- it would ‘make’ me. And the wider distribution of my work, -knowing that it was being seen by hundreds or thousands, instead of the handful who come in here, would have a fine, strengthening effect upon me.”

With digital art the internet is our book and the fact that millions of people have seen some of our cinemagraphs from around the world gives me some sort of greater fulfillment even if they don’t know our name. To share images that tell a story of the times, that can take you to a place, that can remind you of the way something feels or even maybe dream a little is a my own dream job. As a photographer, don’t you want as many people as possible to see, share and respond to your work? I know Weston did and I know I do too.

Sometimes people have certain connotations about commercial work or commissioned work by brands with artists. I actually love working with brands. Understanding their message, finding how I fit into their world, what it is about their idea or product that inspires me into resonating a vision in my mind. Telling brand stories is a creative challenge and finding the balance between you-pay-me-to-work and I-make-something-meaningful-as-an-artist is always a struggle, but the one thing I will not sacrifice. That makes it possible when stepping back and looking at 5 years of work to feel proud of what you made because it came from your heart. Of course, not everything we do is commissioned by brands such as the examples in the article, sometimes we catch it blowing by in a moment in time or glimpses into our own life.

So we hope to continue to fill your feeds with beautiful cinemagraphs to the best of our ability. We hope to spend our life giving you something you want to look at for as long as possible.

Thank you for the support.


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