Tag Archives: photography



I was watching the U.S. Presidential debate live last night, in bed with a glass of red wine, around 4am French time. As I listened to Hillary Clinton speak (looking chic as F in Ralph Lauren, IMO) I was so impressed with how knowledgable and studied she is. Dedicating your life to anything, especially in her case of public service for 30 years, is a huge statement to passion, purpose and incredible knowledge on the subject. I was contemplating how that related to my own purpose.

Change makers start by first learning, then with doing. The power is in knowledge. The expertise is in experience. That’s what I took away. If you have been following my Snapchat this week I have been sharing what I’ve learned about photography. Quick little daily tutorials on knowledge I’ve gained either in the class room or from experience in my breathe thus far as a photographer which is and will be my life’s work.

On Photography

My journey started when I was 13. My mom handed me her 1970s Pentax 35mm film camera. The kind that is so basic and manual all you can do set the shutter and aperture. A far cry from the endless options and controls we now have with digital.

My first lessons in photography started with basic balancing of the camera’s built in light meter and a LOT of trial and error. I learned quickly that I like to overexpose my images by a stop, especially when shooting faces. I learned how slow I can set the shutter before the image begins to reveal the shake from my hand, or breathing. I learned how to communicate movement, not just freeze it. This is knowledge I still use today when I want the image to feel alive. From there I read books, I took every class I could for the next 10 or so years. Post college, I still study. I watch youtube videos, I take classes in alternative photography, I buy random cameras and learn how to shoot with them. I play, experiment, challenge myself and discuss daily.

The Continued Study

I’ve studied photography. I loved photography. I still love the history of photography, btw THIS is the best podcast on the subject. We are now all photographers. We all take pictures, communicate through imagery and share with the world. For those of you who want to make it a profession… take a lead from what inspired me about Hillary. Be studied, do the work. Take your time on the journey. Here I am 20 years later and I am still doing just that. She makes me excited for who I will become as an artist (and business woman) in the later years of my life.

Please, this is not a political post but one about being inspired about another human’s knowledge and commitment to what they belive in, if you belive in it with them or not… #ImWithHer

Above self portrait, in Baukjen dress & wrap coat,

inspired from the painting “San Gerolamo” by Caravaggio


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Old School Photography


Each year, these prints are my little labor of love. This year’s holiday card began almost one year ago, at the beginning of 2015. While shooting a project for Tiffany & Co., we had the opportunity to rent a private helicopter to get aerial shots of Manhattan. I learned two things from that early winter morning ride: 1. I am deathly afraid of helicopters and 2. I wanted this year’s holiday card to be a print of my great love, New York City. Looking down on her from this birds eye view gave me a new visual sense of the layers of history in this city from which we build our own futures. I understood her in a new way and that’s what I wanted to capture.

Considering there is not enough Xanax in the world to get me in a helicopter again, I had to find a new strategy for shooting at this high but intimate angle. Though I love the views from the obvious choices—Empire State Building and Top of the Rock—they didn’t give me the towering sense I was seeking. From the tops of those iconic buildings, the city is dwarfed and dense, slightly out of reach. As luck would have it, our friends from The New Potato were hosting a party with Riviera Events on the 68th floor of the newly completed Four World Trade Center. It’s one of those moments in life where everything falls into place, as if designed by destiny. Here we are in the Financial District, where we work, standing in a building that is part of the present, looking down on the past. It was just what I wanted.

It was an incredibly difficult shot to take. Using a Linhof 4×5 film field camera, the cityscape was not bright enough to register on the ground glass where you do your framing and focus check. Only a few faint street lights were visible for me to use as a rough guide but for the most part I was shooting blind. This also applies to metering: I had no way of knowing if I would be right on the money or not, so I just applied what I knew about the sensitivity of film to light and my experience with it the past 19 years. The image that ultimately made the final print was a 5 minute exposure on Ilford Delta 400ISO film.


After the image was captured, we packed up and headed to my favorite darkroom in Boston for printing (which made for a great 24 hour Snapchat story!)

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Triumph Lingerie


My latest project with my frequent creative collaborator Kelly got a little more intimate this time around with a look at one of the oldest lingerie brands, founded in Europe in 1886, Triumph. This project was unlike most of our jobs in the digital age, these image were used in print first, layout designed by Kelly, to be picked up at Journelle stores and handed out at Triumph’s fashion show.

We wanted these images to be a celebration of women, to be feminine but confident, uncovered but in control. We wanted to be inspired at the end of the day to put on some lace and love every curve. Now, doesn’t that sound fun?

Below are our four women, full of their own Triumphs, all from different places in the world and celebrated beautifully in their own skin because confidence is the biggest triumph of all.




 Above & in the cover photo Nneoma wears: Amourette Spotlight Underwire BraAmourette Spotlight Hipster panties

Below: Amourette 300 bra

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Penumbra Foundation


A couple of weeks ago I attended a weekend workshop for the 2nd time at Penumbra Foundation, the center for alternative photography. The subject this time around was on the platinum palladium printing process, something which I had been wanting to learn for years. I am absolutely obsessed with what they are doing here and keeping alive the history of photography in a hands on approach. Actually, the reason THIS nude shoot finally happened though we had been talking about it for months, was because I wanted to take these classic female form shots into the darkroom specifically to be printed this way.

In addition to workshops, they also have a studio you can rent, darkrooms, a tintype studio, and lecture series.

Here are a few snapshots taken by new friends I made that weekend I asked if I could share with you all to see into the magic of Penumbra.

{above image by Carl Weese || below images by Tom Grill}

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