Tag Archives: photography

Old School Photography

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Each year, these prints are my little labor of love. This year’s holiday card began almost one year ago, at the beginning of 2015. While shooting a project for Tiffany & Co., we had the opportunity to rent a private helicopter to get aerial shots of Manhattan. I learned two things from that early winter morning ride: 1. I am deathly afraid of helicopters and 2. I wanted this year’s holiday card to be a print of my great love, New York City. Looking down on her from this birds eye view gave me a new visual sense of the layers of history in this city from which we build our own futures. I understood her in a new way and that’s what I wanted to capture.

Considering there is not enough Xanax in the world to get me in a helicopter again, I had to find a new strategy for shooting at this high but intimate angle. Though I love the views from the obvious choices—Empire State Building and Top of the Rock—they didn’t give me the towering sense I was seeking. From the tops of those iconic buildings, the city is dwarfed and dense, slightly out of reach. As luck would have it, our friends from The New Potato were hosting a party with Riviera Events on the 68th floor of the newly completed Four World Trade Center. It’s one of those moments in life where everything falls into place, as if designed by destiny. Here we are in the Financial District, where we work, standing in a building that is part of the present, looking down on the past. It was just what I wanted.

It was an incredibly difficult shot to take. Using a Linhof 4×5 film field camera, the cityscape was not bright enough to register on the ground glass where you do your framing and focus check. Only a few faint street lights were visible for me to use as a rough guide but for the most part I was shooting blind. This also applies to metering: I had no way of knowing if I would be right on the money or not, so I just applied what I knew about the sensitivity of film to light and my experience with it the past 19 years. The image that ultimately made the final print was a 5 minute exposure on Ilford Delta 400ISO film.

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After the image was captured, we packed up and headed to my favorite darkroom in Boston for printing (which made for a great 24 hour Snapchat story!)

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Triumph Lingerie

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My latest project with my frequent creative collaborator Kelly got a little more intimate this time around with a look at one of the oldest lingerie brands, founded in Europe in 1886, Triumph. This project was unlike most of our jobs in the digital age, these image were used in print first, layout designed by Kelly, to be picked up at Journelle stores and handed out at Triumph’s fashion show.

We wanted these images to be a celebration of women, to be feminine but confident, uncovered but in control. We wanted to be inspired at the end of the day to put on some lace and love every curve. Now, doesn’t that sound fun?

Below are our four women, full of their own Triumphs, all from different places in the world and celebrated beautifully in their own skin because confidence is the biggest triumph of all.

Nneoma

 

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 Above & in the cover photo Nneoma wears: Amourette Spotlight Underwire BraAmourette Spotlight Hipster panties

Below: Amourette 300 bra

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Penumbra Foundation

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A couple of weeks ago I attended a weekend workshop for the 2nd time at Penumbra Foundation, the center for alternative photography. The subject this time around was on the platinum palladium printing process, something which I had been wanting to learn for years. I am absolutely obsessed with what they are doing here and keeping alive the history of photography in a hands on approach. Actually, the reason THIS nude shoot finally happened though we had been talking about it for months, was because I wanted to take these classic female form shots into the darkroom specifically to be printed this way.

In addition to workshops, they also have a studio you can rent, darkrooms, a tintype studio, and lecture series.

Here are a few snapshots taken by new friends I made that weekend I asked if I could share with you all to see into the magic of Penumbra.

{above image by Carl Weese || below images by Tom Grill}

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The Female Nude

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I am a woman. I am aware of my body like any normal human being. It’s not a surprise, just look at the images served up to us. Everyone is beautiful, happy, young, thin… they have the perfect (insert your own personal thoughts here) stomach, eye brows, waist, legs, hips- sometimes it feels like an impossible treadmill of perfect we will never really achieve because of genetics, because we have real life and real work and can’t spend the amount of time it takes to achieve “perfection”.

But really, what is perfect?

I’ve always be interested in shooting nudes. I started in college. The body is one of the most beautiful, natural things about life. The way it changes, the way it gives life, the way each is our own and that is what makes us special. I wouldn’t take my grandmother’s wrinkles away, or Dad’s loving soft hugs, or seeing my sister-in-law’s body change carrying the amazing twins my family adores. I would not say that I have had body issues all my life, but as I’ve gotten older I had to learn to look in the mirror and teach myself to stop judging the way I look compared to other people.

As a photographer I look for what is photogenic from people to places to the design of a still life. I’m not going to lie, I love tall beautiful thin fashion models. They are like illustrations of illusions of an idea of who we think we are or could be. Fantasy is part of the fun, photographing that fantasy is one of the things that I love most.

However…

There is a place for curves too. Curves are incredible. When our model Jourdan walked in I was honestly first taken back by her personality. Her confidence. Confidence is the one of the greatest quality anyone can possess. She was cool, smart, comfortable in her own skin. She was one of the least self-deprecating models I’ve ever worked with. When we started making photographs a lot changed for me. Not only as a photographer but as a woman. Maybe even more importantly as a woman. Here was a human, not afraid to let me photograph her with nothing to hide behind, no character to portray, no fantasy story to tell, it was just her. In the moment. In the light. Just the way she is.

After this shoot I had a mix of emotions. Her body, so beautiful, so photographic in its shapes and contours was in one word: inspiring. She made me realize that the female form in any shape and size is incredible. To have curves, softness, confidence was true beauty. She represented to me what being a woman was all about. I understood why Renior and Matisse painted the way they did and I saw that beauty too. I was so proud to be a woman and in my personal life, more confident about the size of my chest and softness around my stomach. If wrinkles show the hand of time and the life that was lived, curves show the fertility of it and the raw attraction of humanity.

I guess what I’m trying to say is that women come in many fascinating forms and, at this sitting, I saw beauty in a way that should be more often seen.

Here’s to the beautiful form we call being a WOMAN.

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