Seeing RED

Photogarpher Jamie Beck takes us on a color story of RED.

I’ve been so cold recently, so ready for nights out without having to wear tights and boots and jackets and gloves… you get the idea, you’re having the same rages. I’ve tried to make it fun and now I’m starting color therapy, surrounding myself with red. It started by staring at the above image we have as a large print in the kitchen every morning, letting the red warm my blood vessels. That was the 4×5 color film photograph I was working on when Bee came over to interview us for Bal Harbour magazine and I was panicking because I wanted to get the shot before all the ice finished melting. And now I still feel like I’m thinking about the ice melting! So here is the HOTTEST color I could find around the studio and in funny nooks around to get us feeling warm!

A collection of photographs by photographer Jamie Beck based on the color RED.

Above: From my Donna Karan archive, Resort 2014 and every dream I have of leaving a great last impression as you walk away.

Continue reading “Seeing RED”

Behind the Scenes

Shoot days are whirlwinds. Kevin thought it would be fun to shoot a time-lapse of Ann Street over a couple of days to show the flow of people, props, and equipment in and out of the studio. It’s kind of fun to observe: if you watch carefully you see my Inaugural Ball gown from Oscar de la Renta arrive, our BBC interview take place and a little dance party with our friend, stylist, and creative partner Kelly.

Also, how beautiful is our makeup artist Porsche Cooper? She shows up even at 5am call times in lashes and a lip, and in-between shots we talk about diamonds, yachts and champagne. She is, in one word, FABULOUS. She also gave everyone makeovers and cheekbones in our lunch break.

Hasselblad H4D-31 medium format digital camera with 80mm f/2.8 HC lens.

The camera captures 31 megapixel images on a medium format sensor which holds larger pixels, increasing the color resolution in gradated areas. Plus it makes the greatest shutter sound. The only downside I found shooting with it is the ISO noise; the image really fell apart over 400 ISO. I shot the story at 100 ISO because I wanted completely noise-free images.

Continue reading “Behind the Scenes”