Tag Archives: studio tour

Jean Pierre Soalhat

Inside the Provence, France mosaic artist studio of Jean Pierre Soulhat

There is an incredible history to the village of Lacoste – with buildings dating as far back as the 12th century, tales of medieval battles and debauchery, a reputation as being the former home of the infamous Marquis de Sade  – so it makes sense that it would need an incredible historian.

Enter Jean Pierre Soalhat: historic preservationist at SCAD Lacoste, professional mosaicist, and a genuine Provençal man. One of the many amazing qualities about SCAD is the amazing people, staff, students, and professors it attracts. In Jean Pierre’s case, a man whose family has – for generations – been a part of this community, he has become a pillar of support for SCAD Lacoste through his historic knowledge of the area, his all-around ancient-building handyman skills, preservation teachings and even artistic workshops with the students. I had the opportunity to visit Jean Pierre at his studio in Caseneuve where I could see his artwork. I was impressed by his mosaics – some pieces containing shards of ancient Roman pottery he finds in riverbeds and fields – but also amazed by the fact that Jean Pierre doesn’t own a cell phone (jealous).

All around the SCAD Lacoste campus you’ll find Jean Pierre’s artwork, from La Residence to outside shopSCAD, at Maison Basse and even in the President of SCAD’s home, Paula Wallace. AND…if you’re ever hanging out with Russell Crowe or Sandra Bullock you might notice it in their personal collections, too….

When we visited, Jean Pierre said he was “dreaming of fish”, which reflected in his work…but I know I shall sleep dreaming of archaic fragments coming together to create beautiful everlasting works of art.

Inside the Provence, France mosaic artist studio of Jean Pierre Soulhat Inside the Provence, France mosaic artist studio of Jean Pierre Soulhat Inside the Provence, France mosaic artist studio of Jean Pierre Soulhat Continue reading…

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Tia Cibani

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Recently I was delighted to meet designer Tia Cibani at her work studio in the Manhattan’s Meatpacking District, a lovely little corner studio that overlooks the beautiful cobblestone intersection of Gansevoort and Greenwich Streets. It was one of those beautiful spring days, the kind where, if you live in a walking city like I do, you opt to take the long walk home because it’s so beautiful out, and I was wearing (finally) my new spring dress designed by Tia. It reminded me of Audrey Hepburn dancing around Paris in Funny Face…but updated with its asymmetry and MoMA-esque quirk.

I was excited to meet the designer – having been born in North Africa then raised in Canada before living in China for a decade, I knew she had a true worldly palette to pull from. So here is a lovely afternoon spent in the design studio of Tia Cibani and her thoughts on fashion, designing, traveling and where her inspiration comes from…

PS- from her spring collection my favorite pieces are this for a cocktail party / this for a lunch date / or this for everyday forever and ever (so my new mantra).

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What is your background? Do you think it influences your design?

Well, I was born in Libya, but my family moved to Canada when I was 6 years old. I haven’t been back to Libya since…I’ve been to different parts of North Africa – Egypt, Tunisia, Morocco – but not to Libya. I do have some childhood memories, but they are very, very faint.

I think subliminally, it definitely finds its way into my designs. I’m drawn to that part of the world. I love the food, I love the music, I love the color, I love the history. It’s a part of me, and I’m drawn to it.

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In the Studio With…

I have always loved Prabal Gurung’s understanding of the modern woman in his designs (and so have some incredible modern women!), and his spring/summer 2014 collection was no different.

Prabal stated that his main muse for this collection was Marilyn Monroe – the perfect choice for a designer so focused on femininity. To bring her into the modern era, however, was a challenge…and one Prabal took on fun, bright, edgy way.

Marilyn was represented in the elegance, glamour, and curvy silhouettes of the collection, but the punchy colors, abstract florals, and plastic harnesses made sure she felt at home and in vogue in the fast-paced 21st century.

“It was a celebration of women,” Prabal explained. “I was thinking about preserving elegance, but making it modern and right for now with the right amount of danger…I like the idea of femininity with bite.”

I’m sure Marilyn would have approved.

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Emily Noelle Lambert

You can’t think about New York City and not think about the incredible history of artists that have defined and redefined art through the ages. This year Kevin and I are cohosting the Brooklyn Artists Ball after-party, so the rest of this week we will be doing studio tours here of a few of the artists, all based in Brooklyn, who are creating special pieces to be on exhibition at each of the guests’ tables for the museum’s annual fundraising event.

When you walk into Emily Noelle Lambert‘s studio in Greenpoint you instantly feel happier from the colors, the freedom of paint, and the joy of the artist. The walls explode with pieces ranging from paintings to found wooden structures to metal works, the result of collaborations with her brother, who is a blacksmith. The center of the room is filled with one long descending table with a beautiful range of height, texture, and saturations of color, where all the sculptures seem to dance with each other. She talks to us about her creation for the Brooklyn Artist Ball and her life as an artist…

Emily on her sculptures being ”small gestures that turn into little moments that could live in a larger painting. I like to look at the texture and the history of each object and what each of the forms do and try to begin to have another conversation with what I pair them with. Once I started painting them them it really starts to feel like they are brush strokes themselves.”

On her centerpieces she is creating for the ball: “I really want the table to have more of a landscape feel. That is where I’m at now…I have all the pieces but I need to figure out the space between them, how they are going to speak to each other. “

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