Tag Archives: studio

The Female Nude

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I am a woman. I am aware of my body like any normal human being. It’s not a surprise, just look at the images served up to us. Everyone is beautiful, happy, young, thin… they have the perfect (insert your own personal thoughts here) stomach, eye brows, waist, legs, hips- sometimes it feels like an impossible treadmill of perfect we will never really achieve because of genetics, because we have real life and real work and can’t spend the amount of time it takes to achieve “perfection”.

But really, what is perfect?

I’ve always be interested in shooting nudes. I started in college. The body is one of the most beautiful, natural things about life. The way it changes, the way it gives life, the way each is our own and that is what makes us special. I wouldn’t take my grandmother’s wrinkles away, or Dad’s loving soft hugs, or seeing my sister-in-law’s body change carrying the amazing twins my family adores. I would not say that I have had body issues all my life, but as I’ve gotten older I had to learn to look in the mirror and teach myself to stop judging the way I look compared to other people.

As a photographer I look for what is photogenic from people to places to the design of a still life. I’m not going to lie, I love tall beautiful thin fashion models. They are like illustrations of illusions of an idea of who we think we are or could be. Fantasy is part of the fun, photographing that fantasy is one of the things that I love most.

However…

There is a place for curves too. Curves are incredible. When our model Jourdan walked in I was honestly first taken back by her personality. Her confidence. Confidence is the one of the greatest quality anyone can possess. She was cool, smart, comfortable in her own skin. She was one of the least self-deprecating models I’ve ever worked with. When we started making photographs a lot changed for me. Not only as a photographer but as a woman. Maybe even more importantly as a woman. Here was a human, not afraid to let me photograph her with nothing to hide behind, no character to portray, no fantasy story to tell, it was just her. In the moment. In the light. Just the way she is.

After this shoot I had a mix of emotions. Her body, so beautiful, so photographic in its shapes and contours was in one word: inspiring. She made me realize that the female form in any shape and size is incredible. To have curves, softness, confidence was true beauty. She represented to me what being a woman was all about. I understood why Renior and Matisse painted the way they did and I saw that beauty too. I was so proud to be a woman and in my personal life, more confident about the size of my chest and softness around my stomach. If wrinkles show the hand of time and the life that was lived, curves show the fertility of it and the raw attraction of humanity.

I guess what I’m trying to say is that women come in many fascinating forms and, at this sitting, I saw beauty in a way that should be more often seen.

Here’s to the beautiful form we call being a WOMAN.

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Jean Pierre Soalhat

Inside the Provence, France mosaic artist studio of Jean Pierre Soulhat

There is an incredible history to the village of Lacoste – with buildings dating as far back as the 12th century, tales of medieval battles and debauchery, a reputation as being the former home of the infamous Marquis de Sade  – so it makes sense that it would need an incredible historian.

Enter Jean Pierre Soalhat: historic preservationist at SCAD Lacoste, professional mosaicist, and a genuine Provençal man. One of the many amazing qualities about SCAD is the amazing people, staff, students, and professors it attracts. In Jean Pierre’s case, a man whose family has – for generations – been a part of this community, he has become a pillar of support for SCAD Lacoste through his historic knowledge of the area, his all-around ancient-building handyman skills, preservation teachings and even artistic workshops with the students. I had the opportunity to visit Jean Pierre at his studio in Caseneuve where I could see his artwork. I was impressed by his mosaics – some pieces containing shards of ancient Roman pottery he finds in riverbeds and fields – but also amazed by the fact that Jean Pierre doesn’t own a cell phone (jealous).

All around the SCAD Lacoste campus you’ll find Jean Pierre’s artwork, from La Residence to outside shopSCAD, at Maison Basse and even in the President of SCAD’s home, Paula Wallace. AND…if you’re ever hanging out with Russell Crowe or Sandra Bullock you might notice it in their personal collections, too….

When we visited, Jean Pierre said he was “dreaming of fish”, which reflected in his work…but I know I shall sleep dreaming of archaic fragments coming together to create beautiful everlasting works of art.

Inside the Provence, France mosaic artist studio of Jean Pierre Soulhat Inside the Provence, France mosaic artist studio of Jean Pierre Soulhat Inside the Provence, France mosaic artist studio of Jean Pierre Soulhat Continue reading…

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Tia Cibani’s Designs Dance

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Movement. When I was interviewing designer Tia Cibani at her studio, one of the references of inspiration for her fall collection was just that, movement. The full dancer skirts, gathered backs, swinging dresses, and loose silhouettes all flow in graceful motions. Even in the fabric design, the blurred lines of the rose print look as if the fabric has flown by you, leaving behind only the scent of roses. The clothes hanging there in the showroom were screaming at me to be whirled around, caught in the wind, and flicked off a finger.

I asked Amy, a recent New Orleans transplant and a trained dancer (in ballet, jazz, AND tap) to come in and be our movement, our graceful, elegant motions. We started talking about dance, about her motivation to dance, and she said, “I love when you find that vulnerability of not caring and letting your body completely take over. It’s very invigorating.” And it was indeed, an exhilarating live performance piece in the middle of our studio; garments singing in ripples of red satin, billows of draped tweed, twirls of shining pleats!

After the shoot I asked Amy what it felt like to dance in these clothes, and she replied, “I felt like a goddess, like a queen. It was so beautiful, it moved with me like an extension of my body.” Now that sounds like an outfit I could dance my way through Manhattan in, too…

 

 

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Tia Cibani

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Recently I was delighted to meet designer Tia Cibani at her work studio in the Manhattan’s Meatpacking District, a lovely little corner studio that overlooks the beautiful cobblestone intersection of Gansevoort and Greenwich Streets. It was one of those beautiful spring days, the kind where, if you live in a walking city like I do, you opt to take the long walk home because it’s so beautiful out, and I was wearing (finally) my new spring dress designed by Tia. It reminded me of Audrey Hepburn dancing around Paris in Funny Face…but updated with its asymmetry and MoMA-esque quirk.

I was excited to meet the designer – having been born in North Africa then raised in Canada before living in China for a decade, I knew she had a true worldly palette to pull from. So here is a lovely afternoon spent in the design studio of Tia Cibani and her thoughts on fashion, designing, traveling and where her inspiration comes from…

PS- from her spring collection my favorite pieces are this for a cocktail party / this for a lunch date / or this for everyday forever and ever (so my new mantra).

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What is your background? Do you think it influences your design?

Well, I was born in Libya, but my family moved to Canada when I was 6 years old. I haven’t been back to Libya since…I’ve been to different parts of North Africa – Egypt, Tunisia, Morocco – but not to Libya. I do have some childhood memories, but they are very, very faint.

I think subliminally, it definitely finds its way into my designs. I’m drawn to that part of the world. I love the food, I love the music, I love the color, I love the history. It’s a part of me, and I’m drawn to it.

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