Tag Archives: lifestyle

Old School Photography

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Perhaps the most meaningful personal shoot of the year comes every December. We sit down and talk about what the year meant and how to capture that in a photograph. How to express where we were at that time. I shoot the annual Ann Street Studio holiday card photograph in the same format each year, on a 4×5 film camera with black and white Ilford film.

This year’s image crossed continents twice from start to finish. It begins in France, taken in the afternoon light of Provence with flowers I bought at my little town’s Saturday farmer’s market. After I framed the flowers just so, I used two magazines to manipulate and block the natural light of part of the background and on some of the arrangement while the shutter stayed opened for 30seconds. I shot somewhere around 15 plates with variations on lighting and exposures then packed them up and brought the sheets of film back to New York with me to be hand processed at LTI.

As always, I took the processed film and contact sheets to my favorite darkroom lab in Boston which I pilgrimage to every winter and spent two days hand printing the set of 200 on Ilford warm tone fiber base paper.

I brought the final 200 back to France with me and spent days by the window light addressing each one, some with added personal notes, to be mailed out all over the world. It is a long process but one that brings me great joy in a digital age. To give someone a physical object you made with your heart, soul and abilities is like having a small piece of me in your home. The sense of pride I feel when people send me photos of the image framed in their home makes me feel grateful that I am a photographer. However, for the most part I don’t know what people do with them. I like to imagine someone using one as a bookmark to later discover again years from now. I like to fantasize a child or grandchild will come across one decades from now in an old box and feel a connection to me or at least to who I once was. They don’t have to know me personally but I hope they know my work.

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Below, in my beloved darkroom in Boston. 

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Below, back at home in France addressing each envelope. 

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The text that accompanies the print:

This is a limited edition fiber print of a simple bouquet of flowers  was photographed in the afternoon light of Provence in the South of France. Shot on 4×5 black and white film, this image was hand processed, printed and pressed but the artist.

We believe if you take away the color of a photograph, what you are left with is the life it represents. In “Ranunculus #8” the delicate bouquet was captured at different stages of bloom and in an array of colors wrapped around each other as a representation of all ages and races of humanity. The past year was uneasy and sometimes heartbreaking for many around the world and this photograph represents 2016 as a reminder that we are more beautiful when we all come together. The falling petals are the tears we may have shed but are caught by another in an act of love. We hope you join us in our belief that it is the differences in us which make life an endless gift of discovery and enriching beauty to be celebrated.

We thank you for coming along on our journey and hope that you cherish this print as a way to say thank you for an amazing year. Each bring is signed, numbered and dated.

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“Ranunculus #8”

See 2015 here.

See 2014 here.

See 2013 here.

See 2012 here.

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Winter in Provnece

Life fell into a quiet pace. In the mornings I count the bell tolls while the angular winter light rakes across the crumpled bed covers. In the evenings the cry of the starlings marks 6pm as they dance to their symphony in the sky.

fireplace-provence-cinemagraph-615 The distant sound of a person’s footsteps on the quiet ancient streets, the soft ambience of rain outside my aged glass window plane. Most days nothing is happening. The stores have closed for the season, the visitors have gone home to Paris and on many of the restaurants old signs hang saying closed until April.

I go for long walks between the towns, the vista dotted with chimney stacks dancing with smoke. A dusty blue haze settles in before each sunset, a faint reminder of richer blues skies ahead.

It’s better than I imagined, the quiet after years of thriving on noise. Life noise, street noise, work noise. Manhattan just seems to constantly hummm. I used to be afraid of silence but now I find myself in it and it is there in the void where I can paint all the worlds I dream of.

As I work in the short hours of afternoon light I watch as it scans with each passing minute through the room I photograph in. It always seems to start with such gusto and by the time it reaches the last corner before slipping away it slows to a linger like taking that last sip of champagne.

The nights are illuminated by roaring fires and home cooked meals. For years I cursed the winter, I never knew it could actually be so warm. I watch the trees and the vines and the rosebushes rest… and I rest… because with spring awaits new wonders to discover .

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Autumn in Provence

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I like the soft and dreamy and romantic. Sometimes I make believe it, but always, I look for it in everyday life. A French afternoon dappled in light, a glowing wine glass. Smudgy and dreamy, never completely clear or harsh. The world is harsh enough, don’t you just want to live in a dream? I know I do…

When I set foot in Provence early last autumn I started myself on a new journey. Self discovery and reawakening my vision. I just wanted to experience something entirely new. I wanted to fulfill a dream to live in France. I wanted to find new challenges, new inspiration, a new way to see life. I’ve seen it through the eyes of the girl who grew up in Texas, then I saw it through the adult eyes of the woman who worked in New York. Much like the landscape outside my window, I let each chapter change me as the seasons change the vines and I hope, with spring’s new awakening, something even greater blooms.

Here are a collection of photographs from autumn in Provence~

Autumn_In_Provence_004 Autumn_In_Provence_005 Autumn_In_Provence_006 Autumn_In_Provence_008 (more…)

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My New Year’s Resolutions

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I think this picture kind of sums up 2016. I haven’t spent much time reflecting back, only looking forward. Defining how I will shape 2017 and what I hope to achieve from it. My personal New Year’s Resolutions for 2017 I’m making public here to have a place I can come back to and remind myself of the goals. And you know, if you say it out load you’re more likely to accomplish it.

 

Above self-portrait inspired by Milio BURQUIN’s painting, La buveuse d’absinthe taken in my home in France in Rouje shirt with a traditional French Pastis in hand.

 

  1. Put stronger ideas, meaning and emotion into my photographs.
  2. Take fewer photographs to make more impactful ones.
  3. Study the light of Provence. Break it down into a scientific equation.
  4. Add the passage of time into my photographs through movements like in a symphony.
  5. Shoot more 4×5 film
  6. Make photographs more like paintings.
  7. Get a dog. IT’S TIME.
  8. Build a darkroom.
  9. Move to California.
  10. Work on empathy.
  11. Define the purpose of my photographs.
  12. Define myself and style as a photographer and apply it to everything, not just my personal work.
  13. Make commitments.
  14. Set new professional goals.
  15. Create one photography tutorial a week on social media to share my knowledge and continue to build a community over our shared passion.
  16. Create one film noir short on social media based around a 24 hour story once a week.
  17. Shoot more ballerinas.
  18. Shoot more flowers.
  19. Stop wasting. Wasting food, wasting money, wasting products.
  20. Live with less.
  21. Shoot more for others.
  22. Make a home.
  23. Save money for real vacations, not work vacations.
  24. Finish the new photography portfolio site.
  25. Finish the Cinemagraphs site.
  26. Create Cinemagraphs for art, not commerce.
  27. Do something good for my body’s health everyday through physical activity.
  28. Stop drinking all together.  Drink less 😉
  29. Find a way to create more romanticism in my work.
  30. Build the world I want to live in, not the one others want for me.
  31. Learn to be more comfortable sharing my life.

“If to live is to express the emotions of life, then to create art is to express the life of emotions.” -Edward Weston, Group f.64



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