Cartier’s Garden

 

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I try to spend my life photographing beauty. It is what brings me the greatest joy and to that which I want cast my gaze upon for eternity. Of the most beautiful things I’ve seen in the world, nothing will ever outshine what nature gives to us. How she makes woman with delicate skin and blushing cheeks, the colors of an exploding flower at the height of its bloom and that exceptional gift of gemstones and diamonds like stars that have fallen from the heavens to earth.

Recently we had lunch with Cartier at The Modern where we were first introduced to to their Étourdissant collection, a beautiful french word for “splendid”. The high jewelry collection is Cartier’s showcase of the most extraordinary, one of a kind pieces that can take the Maison years to create with the finest precious stones in the word. A collection so spectacular it is dizzying, like life itself if we watch with our eyes wide open. As we talked about the collection I was enchanted with the source of inspiration: the south of France, the Côte d’Azur, light and shadows, radiance and hues and the painters from France that created such vibrant works of beauty as a window into a world of natural wonders.

This thought of natural beauty stuck to me and I let images flood my mind and take me into an afternoon reverie. I became engrossed with the idea of creating Renoir’s garden.  A place of dappled color, untamed beauty, a young girl with iridescent paper-like skin dreaming of all to come in life lost in her thoughts as she whiles away the afternoon. She is innate beauty nestled in a bouquet of nature’s glorious shimmering colors. We watch her, with all the luxury of time, her jewels that seem to float off her delicate skin and glitter in the warm, late afternoon light. She lives in a world of splendor changed only be the gentle breeze that sweeps through kissing her cheeks and carrying her thoughts away.

The house of Cartier has reminded me that we must celebrate beauty, treasure color, create contrasts and seek character for it is the explosion of these things that make the world étourdissant.

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Étourdissant Cartier Collection earrings, platinum, diamonds & pink chiffon gown with flower aplique by Marchesa

Renoir_Garden_Cartier_02 “Art is about emotion; if art needs to be explained it is no longer art.”– Pierre-Auguste RenoirRenoir_Garden_Cartier_03

Étourdissant Cartier Collection bracelet, platinum, sapphires, diamonds & a light blue chiffon and sheer lace gown by Maria Lucia Hohan.

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“You come to nature with all your theories, and she knocks them all flat.”- Pierre-Auguste Renoir

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Étourdissant Cartier Collection ring, 18k yellow gold, opal, colored sapphires, black lacquer, diamonds with vintage Gucci grey silk chiffon gown from Cloak Wardrobe under a rainbow pastel chiffon skirt by Marchesa. Renoir_Garden_Cartier_06

Étourdissant Cartier Collection bracelet, platinum, 18k yellow gold, 55.91 carat peridot, onyx, diamonds with emerald green silk chiffon gown by Naeem Khan.

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“The work of art must seize upon you, wrap you up in itself and carry you away. It is the means by which the artist conveys his passion. It is the current which he puts forth which sweeps you along in his passion.” – Pierre-Auguste Renoir

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Étourdissant Cartier Collection ring, 18k white gold, pink diamonds, brown diamonds, white diamonds in a vintage baby pink silk gown by John Galliano from Cloak Wardrobe.

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“I look at a nude. There are myriads of tiny tints. I must find the ones that will make the flesh on my canvas live and quiver.” – Pierre-Auguste Renoir

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Étourdissant Cartier Collection earrings, 18k yellow gold, imperial topazes, colored sapphires, black lacquer, diamonds along with an Étourdissant Cartier Collection bracelet, 18k yellow gold, onyx, diamonds and nude silk chiffon gown by vintage Alexander McQueen from Cloak Wardrobe.

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“I like a painting which makes me want to stroll in it.” – Pierre-Auguste Renoir

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Étourdissant Cartier Collection necklace, platinum, diamonds and pink silk chiffon gown by YSL from Cloak Wardrobe

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“Why shouldn’t art be pretty? There are enough unpleasant things in the world.” – Pierre-Auguste Renoir

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Étourdissant Cartier Collection bracelet, platinum, sapphires, diamonds & a light blue chiffon and sheer lace gown by Maria Lucia Hohan.

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“The pain passes, but the beauty remains.” 
– Pierre-Auguste Renoir

Cartier Étourdissant collection shot at Jack Studios in New York City || Modeled by Emma Bartlett || Styled by Krisana Sotelo || Floral Set Design by Putnam & Putnam || Prop Stylist by Zio & Sons || Makeup by Christine Cherbonnier || Hair by Michael Thomas Lollo || Nails by Angel Williams

Some of the Pierre-Auguste Renoir paintings that inspired this story:

Femme avec parasol dans un jardin || Girl with Daises || The Bathers || La Promenade || The Lovers || Dance at Bougival || By the Seashore || Nude 1910 || In the Garden || Young Girl Bathing || Reclining Nude || In the Meadow || Young Woman Seated || The fisherman

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Renoir the Film

Cartier Etourdissant dazzles in Miami

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It was a perfect night. The air, so warm and sticky the way summers on the east coast play back like flickering memories of an old movie scene. Cartier had come to Miami to unveil the newest precious pieces of their high jewelry collection “Cartier Etourdissant” along with priceless vintage creations of years past and dazzling standards of this modern era.

Being invited to galas such as these are always personal princess moments. An armed guard, not unlike a fairy godmother, shows up and adorns you in diamonds for the evening leaving you swanning around the room as if you were floating in a glass of champagne. I don’t know what it is about diamonds at night, which sparkle off our warm bodies so alive with breath and wonderment, but I just always feel as if they look like someone caught the twinkling stars and wrapped them around us in a cloak of fairy dust.

This collection is especially sentimental to me. Not only for the history of Cartier, who most notably made the setting for the Hope Diamond and adorned the heads of Royalty for some of their biggest moments in history, but because it was inspired by the French Riviera, one of my favorite places on earth. There is nothing like the light and artistic inspirations of France and in the designs of these pieces they transform light like a quiet afternoon dancing in the sun along the Côte d’Azur. I could stare into the pieces forever remember the best moments in life and dreaming of all the ones I desire for the future.

It was glamorous. Hosted at the new Faena Saxony Hotel in Miami along the turquoise sea it felt like a modern reenactment of a Jay Gatsby party which must have been the inspiration for director Baz Luhrmann when he designed the interior of the hotel.  Faena Miami has been waiting for this moment to be brought to life, to be filled with the sounds of champagne bottles popping, distant laughter, models poised in priceless jewels, jazz music and the salty taste of caviar. Maybe it was the setting that made me feel so nostalgic or the glittering private crowd there mirroring the moonlight off the ocean but I looked around the room wondered how could anything bad ever happen in a world that can create this much beauty out of human vision and love.

In a red Dior dress I watched the room ebb and flow and thought of that line from The Great Gatsby: “In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars.” and smiled, for I can always go back to this memory on a cold winter day and recall that life can really sparkle if we open our eyes.

Below, I invite you to experience some of my favorite moments and unforgettable pieces from the gala by Cartier~

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The Golden Plumes of 1932

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Gabrielle Chanel believed jewelry had the power to transform oneself and to escape. When looking at these delicate 18K gold feathered pieces by CHANEL remade from her 1932 collection, I thought about those two words: Transform & Escape.

I thought about transforming oneself with our masks into good or evil, into the lightness or darkness, or escaping who we are in our day to day lives with jewelry being the stage we write our script to. Dancers have to be one of the most accomplished groups of people in the art of transforming and taking on roles. While in Paris I met one such dancer, Claire Camille, and wanted to bring this delicate collection of golden plumes, as imagined by Coco, to life and transform into characters so delicate you could imagine they’d simply float away together

Float away together I thought… I love the idea of escaping through jewelry. I have this beautiful gold globe designed by Monica Rich Kosann which I adore. When I wear this piece I escape on a million adventures around the world, discovering beauty beyond imagination and expanding on what limited time my eyes have left to see.

You can easily see how we define ourselves, where jewelry can take our imagination, something LoveGold showcases better than anyone. What does the jewelry you wear transform about you? When you truly want to escape, what pieces do you put on? Do you, too, play characters in the theater of life? On this early autumn day in Paris, here is where we drifted off to like a feather endlessly floating in golden light….

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CHANEL 1932 PLUME~

Earrings // Necklace // Bracelets // Ring

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Chopard’s Red Carpet Collection

Delicious autumn! My very soul is wedded to it, and if I were a bird I would fly about the earth seeking the successive autumns. ~ George Eliot

There is a beauty in autumn entirely its own: the crispness of the air, the slow return of rosy cheeks, the crunch of leaves underfoot, the shimmer of change in the air. How do you go about capturing such a complex and stunning season?

When you are Chopard, you turn to your high jewelers. These amazingly talented craftsmen and women shaped an entire fall scene into an intricate, beautiful necklace – leaves shifting color, acorns growing nearly to the point of dropping, a gentle spider deftly building a web between two leaves. With colored diamonds set like cobblestones on the branch and tsavorite leaves glittering, the piece gives off a gentle shimmering glow, just like autumn mornings.

Here is an intimate look at the making of an autumn inspired piece for Chopard’s Red Carpet Collection from their artisan factory in Geneva to the red carpet of the Cannes Film Festival.

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Chopard’s Red Carpet Glamour

Cara Delevingne

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When Cara Delevingne stepped onto the red carpet at the 2013 Cannes Film Festival, she was instantly proclaimed best dressed in her lace Burberry gown, smoky eye and, framing her famous pucker, priceless Chopard diamonds like waterfalls off her ears and a garden around her neck. She was in that moment the modern day “pretty woman” in diamonds and lace.

Chopard has a long-running presence at the Cannes Film Festival: from the creation of the Palme d’Or awarded to the best director and Trophée Chopard awarded to emerging talents to dressing the world’s most beautiful women and talented actresses in their priceless red carpet collection of jewels unveiled each year at the festival.

We were privileged enough to get to see a few of the pieces up close, under the watchful eye of guards on that beautiful terrace up in the sky, before the pieces found their way onto that famous red carpet…

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Above: necklace worn by Sonam Kapoor

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“I very much wanted to pay tribute to the finest sentiments. The red carpet collection is sparkling with shimmering colors, including bright red accents like the fire of passion, as well as heart-shaped precious stones, one of my favourite cuts.”
– Caroline Scheufele, Chopard’s co-President

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Above: diamond choker worn by Fan Bing Bing

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Above: diamond earrings worn by Caroline Scheufele

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Chopard’s Red Carpet Collection

Before the glamour of the Cannes Film Festival, months before to be precise, Chopard is busy working away to bring Caroline Scheufele’s whimsical and glamorous designs to life with some of the world’s most precious stones and materials for what will constitute the Red Carpet Collection presented each year at the festival. When we were at the Chopard Terrace, I squealed with delight when Val, our friend at Chopard, brought out a black tray containing the flowering poppy necklace set with 9.2 carats of rubies on the petals and sprays of golden wheat waving out the bottom. I instantly remembered watching the craftsmen back in Geneva working on this months earlier, the proud way they demonstrated how the necklace bends and moves, and how they will eventually shape and polish it into that Chopard perfection. Here is the journey of one of the 66 Red Carpet pieces as it makes its way from Geneva to Cannes…

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