My Year in Provence

This is a hard post to write. I have such a flood of emotions looking back, reflecting on what I have learned, how I have grown, and what I have loved. You can not recap a year’s experience without ending it with what is next? To be honest, I don’t know. Sure, I thought I would come to spend a year in Provence and answer all the questions for myself about my life, about who I am and what I want. I can certainly answer now some of these things but other aspects have grown even more confusing. I loved things I never thought I could love like living in the country. I learned things about myself I never knew. For example, I am an introvert which finally explains why I hate talking on the phone, why people who are upset or angry give me anxiety attacks, why I feel so exhausted after social events, and most importantly, why I work so much better alone. So where does that take me next when I come back to the United States? 

It was shocking when I first arrived. Nothing seemed to be possible, from getting boxes delivered to buying food on a Sunday… or any time after 7pm. I missed all the things about New York I took for granted. 24/7 Uber service for instance. There is ONE Uber guy and he lives and hour from my little town. I am ecstatic when my train pulls into Avignon and he’s on the clock. I missed laundry service. The last time I took a linen shirt to be pressed they estimated a turn around time of two weeks… lol. So I got used to wrinkles. I missed Seamless, something which I never even think about now. The pleasure I derive in cooking is to the point of therapy. The access to organic, AFFORDABLE, locally farmed ingredients here puts the US to a great shame. I will never forget my first trip to the farmer’s market. Alone with only a handful of French words, I was terrified. I paid for everything with 20’s because I didn’t understand the amounts, and I was used to New York City farmer’s market prices, until I discovered how incredibly inexpensive everything was. Then I walked into the wine shop and my jaw really hit the ground. When it is not market day in my town or one of the surround villages, I have four bio (organic) grocers I can walk to. I know their names, what is happening in their life, who is having a baby and who is in the hospital. I am, for once, part of a community and I feel physically part of the earth here. 

I learned to live a life with less noise. My days in Provence are filled mostly with cooking, cleaning, and making photographs and those are the days when I am most happy. I found freedom. Above everything I learned, I discovered true freedom. Freedom exists beyond the ability to choose where you live or what you believe. I found freedom in my art and expression. I found freedom from money. Of course, we all need money to survive but they don’t worship it here in France and it’s amazing how much your stress levels dissolve when that’s not the goal to life. I’m really into being free from plastics and logos and that has brought down the noise in my life in the best way. I loved the freedom from a culture that tells woman how we are supposed to look. I loved being free from what society tells me I should be doing like having children and a corporate job so I have health insurance. I loved the freedom from ‘stuff’. I never had to walk outside my door and be reminded of all the ‘stuff’ I don’t have that I supposedly need to in order to be valuable. The value comes from within – in my mind, in my soul and if I can create something of meaning. I wish I had more time to work on these ideas. Time, I have come to find out, is the most valuable thing we have. 

To quote the French philosopher Albert Camus who lived in Lourmarin not far from me, “The only way to deal with an unfree world is to become so absolutely free that your very existence is an act of rebellion.” 

Of course, these are just some of the many thoughts and experiences I have garnered in my year here. I slowed down on sharing (blogging) to take the time to be present and experience. I imagine when I return to the US I will begin editing and posting so many of the stories I have filled up 5 hard drives with. There is so much to sift through and my heart has been on a roller coaster. This week has been especially though as I try to figure out where I belong in the world and what value I have for an American culture. 

I created a self portrait to mark the year anniversary as part of my #ProvenceSelfPortraitSeries inspired by Jan van Eyck’s “The Arnolfini Portrait“. This is a great short video on the piece from one of my favorite YouTube art channels. I loved that this was a “painting of everyday life” as much of my personal work here in Provence has been a celebration of the day to day things. What is in bloom, what is in season, what bug crawls into the window, how the light is today.

Beyond that, I wanted to explain some of the personal symbolism I added into this photographic rendition that pertains to my own experience at this year mark. First, there is meaning in the absences. The absence of furniture is symbolic of feeling unsettled, homeless. I brought in chairs, tables, daybeds and pushed them back out. I feel at home in Provence in my soul, yet I do not have a home. I left the shadow of the table with a bowl of pears cast along the left edge to show there is life that happens in this space. I planned to bring in a newly born kitten from town as I love all the cats that roam my village and have earned their trust but then I felt the absence of the pet represented my life more. As many of you know who follow me on Instagram stories, I DREAM of having pets. Both women wear green gowns by Loup Charmant (left & right) in green, green being a symbol of hope. My hope that this path I am on will lead me to where I belong. The hope that I can do something with this work I have created in Provence. The woman on the right holds her gown close to her chest, representing holding everything dear to me I have learned in Provence. The only real valuable thing I can take with me when I go. Her slippers are on because it is time for her to leave. She looks back, sorrowfully to the woman on the left, sometimes I feel my heart being ripped out when I think about having to leave this place. Originally, I had taken a photographic plate with tear stained cheeks but felt the expression was enough on its own. The woman on the left is turned to be ‘looking back’, reflecting on her time in Provence. Her slippers are off and she is barefoot to represent feeling at home here. She gestures with her hand in the way of a ‘blessing’, feelings blessed from this time in France. Though they are married together, in the sense as one, their hands rest together open, vulnerable of being torn apart. The inscription on the wall is my signature and dated for my one year. Hanging above them in an antique mirror which I borrowed from a shop in town, hides a third self portrait. The real me, the photographer. I stand in my men’s linen suit with my camera on the tripod. You can see a discarded green dress on the table, my phone in the bottom left which I use to create these self portraits as a remote control to my camera. I am standing in the kitchen which is pretty much where I always am while at home either working or cooking. You can see the large French doors that over look my garden and her ripened fig tree. 

I will be here a bit longer. I have some more personal work I need to do before I go and a few professional jobs on the table. So there is some time to ponder what happens next…

The Last Supper

Recently I went through a personal Renaissance. I left my life in New York. I moved – at the time alone – to Provence, in a country whose language I did not speak, to a town I had never been to, into an apartment I hadn’t seen. I had never lived alone. A lot has changed since that September day. In the silence of the French countryside I met myself. I met all of my selves. I learned that I can take out the trash, pay the bills, survive through scary noises in the night, take myself to dinner and the movies and do all the things I have always had a man around to do for me. In a sense, I discovered my own masculine side. I became empowered for the first time as a woman.

As a photographer, personal experience is realized through what one creates. Having this time alone to explore myself led me to create my Last Supper, which touches on the facets of myself: my feminism, my masculinity, the past, present, and future. Considering I am not a religious person, when I look at Leonardo da Vinci’s The Last Supper, which portrays the moment where Jesus announces to his 12 disciples that one of them will betray him, I find the study of each of the characters a fascinating glimpse into the flaws of man. I took this concept and put biographies of myself into the painting. My interpretation both defines the complexities of a single human experience and explores the struggle of feeling betrayed by your own mind. The part of me that drinks too much, works too much, wants more money, wants perfection, wants to be desired. I do worry that one version of me could destroy another, a true betrayal of self. It is also a counter argument that we as women are defined by one thing: being a woman. I might be a woman but I also have a masculine side (the woman depicted on the far left) that is independent and smart and completely covered from my curves. On the other end of the spectrum (the woman on the far right) is the exact opposite. The most feminine, most natural version of myself. This is why she is portrayed nude, soft, and leaning on the undressed naked wood of the table top. I can be both; just as a man can be both strong and incredibly sensitive. 

Now of course, I am a woman in a man’s painting of men. To be honest, sometimes I wish I were born a man. There are days when I just want to wear my comfortable men’s linen suit I bought on a recent trip to Aix em Provence with no makeup and just do my job. The importance of Leonardo da Vinci’s work to me is this: he painted women as masculine and it is that characteristic of his muses that is what makes them attractive. Most importantly, he gave them thoughtful eyes which to this day we still ponder. Of his few remaining female portraits, we can see a man who viewed women as intellectual equals, not merely beautiful objects. That is why in the centre all-knowing version of myself I am actually thinking – not about the photograph I am taking, but about what I know about who I am. I wanted her to show the same piercing clarity Jesus was portrayed to have had, to speak directly to the viewer about all of these women surrounding her, to be the grounding pure core of myself amongst the chaos. I wear red because it is the heart of the photograph and is the heart of who I am. It is also Dior, because I am in France after all. 

Click image above to see in high resolution. 

If you’d like to leave a comment please join the conversation on this Instagram! I’d love to hear your thoughts!  

My Last Supper photograph and essay “WOMAN” was first published in Men in this Town

Thank you guys for believing in my work and sharing it around the world in print!

 

When Pigs Fly…

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When I first started my journey to France I got a new piece of jewelry, something that represents my approach to life. It was a signet ring by Retrouvai, a modern heirloom designer based in L.A., with a flying pig engraved in gold in the middle.

I love signet rings with their classic monograms so this was a bit of a departure but the symbolism of the flying pig to “embody strength to overcome life’s greatest obstacles” was exactly the reminder I wanted to give myself to be strong on my new journey in a far off land with a foreign language I did not speak, I was in a town I’d never been and was living in an apartment I’d never seen before, in the middle of nowhere. Fast forward five months and everything worked out.

It wasn’t always easy.

I have cried from frustration, fear, exhaustion, confusion but now I’ve grasped the swing of things. I’m a better person. I’ve learned so much about myself and grown immensely by doing something so completely different than the life I had created in New York. I am stronger. I’m a better photographer, I’m an inspired artist. But perhaps more important than any of it, I took the courage to live one of my dreams.

When you test what you can do you realize that anything is possible. The limits we create in our mind are just that, creations of the mind. Every time I slide this ring on or off or catch glimpses of it reflecting the light I think about that line engraved on the inside, nestled against my skin, a message that is one of the things I most believe about how to live a fulfilling life… “Anything is Possible.”

“A wise man once said anything is possible when you stop believing it is impossible.”

More stories from my life in Provence here.

My New Year’s Resolutions

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I think this picture kind of sums up 2016. I haven’t spent much time reflecting back, only looking forward. Defining how I will shape 2017 and what I hope to achieve from it. My personal New Year’s Resolutions for 2017 I’m making public here to have a place I can come back to and remind myself of the goals. And you know, if you say it out loud you’re more likely to accomplish it.

 

Above self-portrait inspired by Milio BURQUIN’s painting, La buveuse d’absinthe taken in my home in France in Rouje shirt with a traditional French Pastis in hand.

 

  1. Put stronger ideas, meaning and emotion into my photographs.
  2. Take fewer photographs to make more impactful ones.
  3. Study the light of Provence. Break it down into a scientific equation.
  4. Add the passage of time into my photographs through movements like in a symphony.
  5. Shoot more 4×5 film
  6. Make photographs more like paintings.
  7. Get a dog. IT’S TIME.
  8. Build a darkroom.
  9. Move to California.
  10. Work on empathy.
  11. Define the purpose of my photographs.
  12. Define myself and style as a photographer and apply it to everything, not just my personal work.
  13. Make commitments.
  14. Set new professional goals.
  15. Create one photography tutorial a week on social media to share my knowledge and continue to build a community over our shared passion.
  16. Create one film noir short on social media based around a 24 hour story once a week.
  17. Shoot more ballerinas.
  18. Shoot more flowers.
  19. Stop wasting. Wasting food, wasting money, wasting products.
  20. Live with less.
  21. Shoot more for others.
  22. Make a home.
  23. Save money for real vacations, not work vacations.
  24. Finish the new photography portfolio site.
  25. Finish the Cinemagraphs site.
  26. Create Cinemagraphs for art, not commerce.
  27. Do something good for my body’s health everyday through physical activity.
  28. Stop drinking all together.  Drink less 😉
  29. Find a way to create more romanticism in my work.
  30. Build the world I want to live in, not the one others want for me.
  31. Learn to be more comfortable sharing my life.

“If to live is to express the emotions of life, then to create art is to express the life of emotions.” -Edward Weston, Group f.64

A Photographer’s Gift Guide

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I love photography. I love giving and receiving the gifts of photography and what freedoms those items serve to create, to be inspired, to think about photographs in a more meaningful way. These tools, ever changing, are an important part of being a photographer, professional or hobbyist. While I haven’t come anywhere close to owning every photography book or testing every camera I can share with you what I personally have loved and think would be great for anyone interested in the art of capturing life.

Cameras

Sony a7RII: Perfectly small, amazing quality, this is my go-to travel camera. Because you can connect the camera to the app on your phone you can instantly upload photos to put onto instagram or as I have been doing for these self portraits, using it as a remote shutter release. These are the accessories I love to use with it:

Impossible I-1 Analog Instant Camera: As a huge lover of photography dating back pre-digital era I am always keeping up with my vintage film and polaroid cameras, a dying tool I try to preserve in my arsenal of gear and knowledge. I was thrilled with Impossible released a new version of an old instant polaroid camera so modernized you can control and shoot with in from an app on your phone… as you can tell I’m a fan of remote shooting. The photos this camera creates are soft, dreamy and otherworldly and fit right into my vision of the world.

*FYI, giving away TWO of these later this week! Follow on instagram for the announcement!*

 

Canon 5D series: I have been shooting with the Canon 5D series for around 7 years and it has honestly been the best professional camera experience I’ve had. I’ve used this camera to shoot ad campaigns, fashion editorials, images for brand Zines and brand lookbooks, all my NYFW coverage, brand travel stories and so many other … pretty… little… things.

I started out with the Canon 5D Mark II and now shoot with the Mark III. They recently released the Mark IV which I myself have my eye on. Did you know, we created our first Cineamgraph with the Canon 5D Mark II because of it’s capability of also capturing high quality video! These are the accessories I love to use with it:

 

Gear

Gitzo Tripods: I’m 100% loyal to Gitzo tripods. I’ve been using them since college, I believe they are the best. For travel and in Provence I have been using the Gitzo GT0532 Mountaineer Tripod which is perfect size to carry around easily, fits into my duffel for travel, and is light weight while still insanely sturdy. On the head I use a Gitzo Series 3 GH3780QD Center Ball Head which is absolutely my favorite way to shoot on a tripod. Back at the studio we use a Gitzo Series 5 Systematic 3 Section Long Tripod. This is a very heavy duty piece of gear and holds our bigger cameras such as the Red Epic, Pentax 645z and my large format film cameras typically with a Manfrotto 502 fluid head.

MYDigitalSSD 512GB: Super tiny, super fast and affordable SSD hard drive for location shooting.

LaCie Rugged Mini 2TB drive: Our go-to higher capacity drive, great for backups. Also comes in 1TB and 4TB.

iCloth Screen Cleaning Wipes: Your camera screen gets smudged, your phone has fingerprints all over it. Keep a few of these in your camera bag for a quick clean up.

 

Camera Straps

Photojojo Handy Dandy Hand Strap: I’ve had this one strap for years on my Canon. I love it because it’s padded and sturdy for a camera of this size. It’s so warn in now from all we’ve been through the leather has turned a beautiful patina and at $40 you can’t beat it. *see above camera and strap on far right in the top image*

Gordy’s Camera Straps: This is what I have attached on my Sony a7RII. More delicate, minimal, lighter but still solid leather quality, I’m absolutely loving it. And, they are made to order so you can decide what color leather and stitching matches your personality best. Oh did I mention, they start at $18!

Wood & Faulk Neck Strap:  Another strap I’ve had for years, this is the only neck strap I use. I like the extra width for the pressure on your neck or shoulder while maintaining a nice simplicity of design. The leather has worn beautifully, something that will last forever. Comes in tan, dark brown, and natural.

Camera Bags

Billingham 550: If you were to buy one camera bag for your entire life this would be the one. This is my camera bag, this will always be my camera bag and though it’s a splurge it’s also forever.

ONA: Made in New York City, this is a more fashionable approach than your traditional camera bag. From cool backpacks to women’s handbags, they keep your style intact and your gear safe.

Pelican Case: This is for when I mean serious business. There is nothing cool or chic about the way this case looks but when I’m traveling on a big job, carrying a lot of valuable gear, it’s typically too heavy for a shoulder bag and I wanted everything to be as secure as possible. I like that I can roll this through airports, it can stack with luggage and I can put a lock on it for security. It also doubles as a great apple box on location when you need to stand on something to give you a little more height!

Sachtler SC306 Camera backpack: Our backpack for video gear. It’s big, but not big enough that it weighs a ton when full. It fits in overhead compartments on airplanes, has a slim pocket for a laptop and enough room for all the camera bodies and lenses you need. It also stands upright which is a lot more useful than you might imagine.

Photography Books

At Work by Annie Leibovitz: An amazing behind the scenes account by one of the most famous photographers of our time on her career, photoshoots and how some of her most famous images came to light.

Peter Lindbergh: A Different Vision on Fashion Photography: One of my favorite photographers, this book is a beautiful collection of four decades of some of the most iconic fashion photographs in history in his signature black and white. I also love Untitled 116 and Images of Women.

Blood Sweat and Tears by Bruce Weber: An amazing retrospective of one of the greatest American fashion photographers of all time with his beautifully candid and so Americana imagery. The perfect coffee table book that keeps you inspired time after time.

Tim Walker: Story Teller: For those who see the world as a magical place… this is the picture book to end all. For those young creatives with imagination just starting out, Tim Walker Pictures, offers a glimpse into the artistic process.

Herb Ritts: L.A. Style: Some of the most beautiful black and white photographs of fashion, nudes and celebrities the world has ever seen by L.A. photographer Herb Ritts famous for his striking simplicity and powerful natural light imagery. The Golden Hour is a more intimate look into the journey of the photographer himself.

Passage: A Work Record by Irving Penn: One of my all time favorite photography books, this covers all aspects of Irving Penn’s work from fashion to portraits, to his iconic still lives you see hanging on museum walls.

Hold Still by Sally Mann: An intimate dive into the personal history and life of photographer Sally Mann and how that plays out into her esteemed body of work in this interesting memoir.

Edward Weston: 125 Photographs: Containing some of the most striking nudes and still lives in the history of photography, this book is a timeless tribute to the quiet vision of a master photographer.

Imogen Cunningham 1883 – 1976: One of the most prominent women in the history of photography and a pioneer of photography in her own right, this book is a beautiful collection of her most striking photographs from portraiture to flowers.

On Photography by Susan Sontag: A marriage of ideals between the history of photography and what was happening culturally in America in the 1970s that still hits poignant moments relevant to today’s digital society.

Above self portrait taken at my home in Provence with a few of my favorite cameras wearing Of A Kind Permanent Collection and Retrouvai Heirloom Signet Ring in an image inspired by a Francesco Furini painting.

Studied.

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I was watching the U.S. Presidential debate live last night, in bed with a glass of red wine, around 4am French time. As I listened to Hillary Clinton speak (looking chic as F in Ralph Lauren, IMO) I was so impressed with how knowledgable and studied she is. Dedicating your life to anything, especially in her case of public service for 30 years, is a huge statement to passion, purpose and incredible knowledge on the subject. I was contemplating how that related to my own purpose.

Change makers start by first learning, then with doing. The power is in knowledge. The expertise is in experience. That’s what I took away. If you have been following my Snapchat this week I have been sharing what I’ve learned about photography. Quick little daily tutorials on knowledge I’ve gained either in the class room or from experience in my breathe thus far as a photographer which is and will be my life’s work.

On Photography

My journey started when I was 13. My mom handed me her 1970s Pentax 35mm film camera. The kind that is so basic and manual all you can do set the shutter and aperture. A far cry from the endless options and controls we now have with digital.

My first lessons in photography started with basic balancing of the camera’s built in light meter and a LOT of trial and error. I learned quickly that I like to overexpose my images by a stop, especially when shooting faces. I learned how slow I can set the shutter before the image begins to reveal the shake from my hand, or breathing. I learned how to communicate movement, not just freeze it. This is knowledge I still use today when I want the image to feel alive. From there I read books, I took every class I could for the next 10 or so years. Post college, I still study. I watch youtube videos, I take classes in alternative photography, I buy random cameras and learn how to shoot with them. I play, experiment, challenge myself and discuss daily.

The Continued Study

I’ve studied photography. I loved photography. I still love the history of photography, btw THIS is the best podcast on the subject. We are now all photographers. We all take pictures, communicate through imagery and share with the world. For those of you who want to make it a profession… take a lead from what inspired me about Hillary. Be studied, do the work. Take your time on the journey. Here I am 20 years later and I am still doing just that. She makes me excited for who I will become as an artist (and business woman) in the later years of my life.

Please, this is not a political post but one about being inspired about another human’s knowledge and commitment to what they belive in, if you belive in it with them or not… #ImWithHer

Above self portrait, in Baukjen dress & wrap coat,

inspired from the painting “San Gerolamo” by Caravaggio

 

My Day in Provence

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So, as you know, I’ve been spending a great deal of my time in a tiny town in the south of France. Nothing about my life is the same as it was. Life in New York has me up at sunrise working, emailing, off to the gym, running errands, doing photoshoots, taking meetings, then social engagements until I finished the day around 10pm with dinner and way too much to drink. Not so anymore…

My day starts at 8am when I naturally wake up. I don’t set alarm clocks. Not a lot happens around here until 11. So, relieved that it’s still early, I go back to sleep until noon. I know, outrageous, but I typically work late here – until about 3am when there are no distractions and America is awake and buzzing.

I go to the café and have my daily cafe créme, something I NEVER would have done in New York. Not taken the time, not taken the milk. Since I don’t have cell service here, a blessing AND a curse, and wifi hasn’t hit this town yet, I listen to podcasts I have stored like Claire & Erica’s “A Few Things“. Today’s episode was especially inspiringI buy my baguette, whatever is left of the varieties they sell, since it’s pretty picked over by the time I roll in. Sometimes they come out with a fresh hot batch midday which is really a shining moment for me, when she hands me the loaf and it’s still warm. That’s when I stand outside and munch.

I come home to my little 17th century apartment. The light is perfect this time of day. I have so many options from direct light to filtered window light, reflected light, and softly diffused. I thumb through inspiration images and I shoot from 2pm to 5pm, mostly on black and white film. Still lives, flowers, self portraits, life.

I clean up, I make dinner, I build a fire. I edit digital stories for social media, I edit client work. I do more research on upcoming commercial projects, and look for inspiration for personal ones.

Living here, that small town life, was super scary at first. I cried every day for a month. There were so many challenges at first. How do I get a taxi cab? Why won’t UPS deliver my boxes? How do I tell the butcher I would like a small steak? Where does one buy scotch tape… and why do I have a washing machine but no dryer?

It took a while to actually reset. To want to shoot. I was so burned out.

I also needed to break out of the hard shell I had built for myself. To find inspiration in creating, not being overly stimulated by a mountain of activity. I have discovered, most importantly, that being here limits what I can do. There is not a lot going on, I don’t have a car (yet). I don’t speak French and everything is basically closed 99% of the time. However, it is in those limitations that I am finding freedom to do so much more. Fewer distractions, more time to create. And that is what it’s really all about.–

Above self portrait, in Misha Nonoo jumpsuit,

inspired from the painting “The Red Beret”

Men In This Town

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This past year my friend Giuseppe Santamaria not only published a new book but started a print magazine, MITT, which is a quarterly digest on the “Men In This Town”. I love that living and working in New York introduces you to an array of amazingly ambitious and talented people and I was beyond thrilled when Giuseppe emailed me to ask if I would be a contributor to their 2nd issue. One problem, I told Giuseppe: I had to be honest, I’ve never done a men’s fashion editorial, and I actually know nothing about the men’s fashion world other than the fact that John Jannuzzi works at GQ and I love the way men look in suits.

One of the characteristics that I possess that has really changed my life is my natural ability to say yes to anything I find a challenge. I love climbing the mountain and slaying the dragon, killing the fear of unknown, so I got to work. I emailed John, I think the subject line was something to the effect of “HALP”. John put me in touch with the amazing stylists at Carson Street Clothiers in Soho, James Ralston & Justin Doss, and I asked Porsche Cooper, hair & makeup artist for one of my favorite shoots of all times, to also jump off the cliff with me. It’s really a wonderful thing to ask people for help, being vulnerable is important, and having the end result a collaboration of parts you couldn’t have found success without. 

Then we had to find our model.

Here is where fate played a role. Enter: Eduardo Ramos. A charming Cuban American, model, writer, and actor. His presence on set was magnetic and we were all totally sucked into his latin world. He shared with us stories of visiting his family in Cuba, the way it really is there and not the touristic description of the vintage cars and cigars, but the day to day way of life living in a communist country.  It was fascinating and changed the entire photoshoot on the spot. I had him speak Spanish to the crew while I photographed him, and we looked for ways to shoot beyond the clothing, into the person before us.

I talked to Giuseppe afterwards and said, “You have to interview this guy for the magazine, his story is so interesting and relevant to what’s happening in culture” which is exactly what Giuseppe did and you can read all about it in the article “¿QUE ES CUBA?” in the June issue of MITT.

Below are some of my favorite photographs from our sitting-

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Above Suit by Eidos | Shirt by Umit Benan | Slippers by MELINDAGLOSS | Panama Hat by Carson Street X Cappellificio Biellese

Below Grey Donegal Suit by Camoshita United Arrows | Polo by Camoshita | Shoes by Lemaine

MITT_Eduardo_Ramos_04 MITT_Eduardo_Ramos_05 Continue reading “Men In This Town”

Men in This Town

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I met Giuseppe Santamaria, a men’s street style photographer, back in 2011 covering NYFW together. Since I’ve watched Giuseppe’s career and photography really grow into something very special in the men’s style realm. So special, in fact, that a book of his photographs was published this September called “Men in This Town“.  Giuseppe’s approach to photography, men’s fashion, and street style is quite romantic and not at all trendy or concerned with the “who’s who”. He really shoots from his heart. We sat down at our studio last week to catch up and ask him all about his first book~

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Above, a portrait of the photographer photographed on 4×5 black & white film

How did Men in this Town begin?

It started with a tweet. I had photographed my friend’s cookbook cover, and then I started following his publisher on Twitter. One day he said, “Done for 2013 books. Onto next year. Any ideas?” I jokingly tweeted back, “How about a Men in This Town book?” And a year later, it came out.

When did you first start photographing?

By trade I’m a graphic designer. I’ve been working with photos and amazing photographers my entire career. That’s where my eye was trained – not conventionally at all.

How did you learn photography?

Continue reading “Men in This Town”

A New Class of Designers

CFDA Incubator // Behind the photo shoot from Ann Street Studio on Vimeo.

As you know, we love working with the CFDA. They work to support up-and-coming designers with the CFDA Incubator program, and this latest class of incredible designers happened to include two we’ve worked with before – the lovely Misha Nonoo and Katie Ermilio (Katie even designed my wedding dress!). So when we were asked to take the official portraits of the 2014 class of designers, we couldn’t wait. We created an entire portrait set up in our studio and the designers came in and out throughout the day (which you can see in the time lapse video above!).

It was so wonderful to meet all of you, CFDA Incubator class of 2014! Now tell us…

“What is fashion to you?”

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Misha Nonoo, NONOO

“Fashion is transformative.”

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Dana Arbib, Farah Mailk, Jesse Meighan, A PEACE TREATY

“Fashion is a universal language of self-expression.”

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Lucio Castro, LUCIO CASTRO

“Fashion is clothes plus feelings.” Continue reading “A New Class of Designers”

Danielle & Laura Kosann

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Sisters. Businesswomen. Entrepreneurs. Manhattanites. The Kosann sisters are everything I love about young, smart women today. They can walk into a room, or in our case, our studio, and fill the air with conversations about their newly launched site, their inspiring mother, their favorite designers to wear and chef’s tables to dine at. We chatted endlessly about The New Potato, an online foodie destination the sisters launched this past May where they interview chefs, restaurateurs, celebrities, models, editors, personalities, you name it about something we all have in common – FOOD. Good food. All kinds of food.  My favorite feature of the site is the cityguide… curated by the people who know where to go. I think this is amazing and so useful!

They were on this day our muses.

Working with LoveGold we pulled amazing gold jewelry collections from designers like H Stern, Camilla Dietz Bergeron, Temple St. Clair and even their own mother, Monica Rich Kosann with her nostalgic jewelry designsHere is an intimate look at sisters carving a life into the new potato in black, white & GOLD.

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above and cover image: Danielle (left) wears LOLA hat, Donna Karan suit, Camilla Dietz Bergeron necklace, Slane ring; Laura wears Prabal Gurung dress, Temple St. Clair ring (index finger), H Stern Ring (middle finger), Camilla Dietz Bergeron earrings, Camilla Dietz Bergeron brooch

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above: Laura wears Donna Karan blazer, Zac Posen skirt, Camilla Dietz Bergeron choker, Monica Rich Kosann necklaces

Continue reading “Danielle & Laura Kosann”

The Lucky Ones

The first time I met John Jannuzzi was right before he took his current editorial job at Lucky Magazine; we shared a cab to the showrooms of Oscar de la Renta during NYFW and for the entirety of the drive he had me giggling with his snarky, sharp, cynical humor. It was love. John is one of those guys I wouldn’t mind running into no matter what mood I’m in, because I know he’ll be in a mood too and at least we can have a laugh about it.

Just follow his Twitter to see what I mean…

The editor on style:

“All I can tell you about fashion and style is this:

buy and wear what makes you happy.”

Above: Jacket by John Varvatos [similar], sweater by Acne

Above and below: knit cap by Jack Spade [similar], sweater by Acne, glasses by Warby Parker

Continue reading “The Lucky Ones”