As we begin to close in on the last weekends of summer I jumped at the invitation for a weekend upstate shared among friends. The cool mountain air, quiet afternoons for reading and home cooked meals filled my soul and recharged my batteries. We stayed in this amazingly redesigned Catskills home where nature was the framed art and dancing light our whimsical entertainment. Now the only problem I have is how to stop day dreaming of this peaceful place at the end of the road between tucked between a mountain and a creek…
This summer I have been reading photographer Sally Mann’s memoir Hold Still. There are some books I read on my kindle and then some I have to physically buy so that I can mark them up, make notes in the margins and revisit or even research what I find among the pages. One of my favorite underlined parts so far:
“Because I am still that girl when it comes to developing film. There is nothing better than the thrill of holding a great negative, wet with fixer, up to the light. And, here’s the important thing: it doesn’t even have to be a great negative. You get the same thrill with any negative; with art, as someone once said, most of what you have to do is show up. The hardest part is setting the camera on the tripod, or making the decision to bring the camera out of the car, or just raising the camera to your face, believing, by those actions, that whatever you find before you, whatever you find there, is going to be good. And, when you get whatever you get, even if it’s a fluky product of that slipping-glimpser vision that de Kooning celebrated, you have made something. Maybe you’ve made something mediocre- there’s plenty of that in any artist’s cabinets- but something mediocre is better than nothing, and often the near-misses, as I call them, are the beckoning hands that bring you to perfection just around the blind corner.”
