Loeffler Randall

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I was recently out in Brooklyn visiting with a girlfriend who works in fashion PR. These girls always know what’s cool and true to form she walked in the door and I obsessed over her shoes and bag. “Where are they from?” I asked, “Loeffler Randall“. Of course they are.

It seems almost every time I love a New York girlfriend’s shoes they are Loeffler Randall. I myself am a fan girl… I’ve worn them to the beach, at southern mansion cocktail parties, and over coffee in L.A. They are easy and cool. Quality and comfortable. Or, as the founder and designer Jessie Randall puts it, “understated, elegant, effortless.” I stopped by their Soho studio to see what’s new this summer, what I will be lusting after like those red strappy heels above… UGH sooo good. And to talk with the beautiful designer herself only to realize, the products are good because the soul of the designer is too…

10 Questions with LOEFFLER RANDALL‘s President and Creative Director Jessie Randall 

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If you could give advise to yourself 10 years ago when you started Loeffler Randall, what would it be?

JR: Hire a merchandiser. Stop being so hard on yourself!

Above, Jessie wears Arbella Platform Sandal with Drawstring Tote in her Soho office. 

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Where do you find inspiration? 

JRI find it everywhere – especially in craft techniques and doing crafts myself, art, furniture and I love love love ceramics. 

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What one famous person has worn your shoe where you had a holy-cow moment? 

JRRoz Chast

Above, Drawstring Tote & Flap Bucket bag // Below, Bo Tassel Wrap sandal

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Jean Pierre Soalhat

Inside the Provence, France mosaic artist studio of Jean Pierre Soulhat

There is an incredible history to the village of Lacoste – with buildings dating as far back as the 12th century, tales of medieval battles and debauchery, a reputation as being the former home of the infamous Marquis de Sade  – so it makes sense that it would need an incredible historian.

Enter Jean Pierre Soalhat: historic preservationist at SCAD Lacoste, professional mosaicist, and a genuine Provençal man. One of the many amazing qualities about SCAD is the amazing people, staff, students, and professors it attracts. In Jean Pierre’s case, a man whose family has – for generations – been a part of this community, he has become a pillar of support for SCAD Lacoste through his historic knowledge of the area, his all-around ancient-building handyman skills, preservation teachings and even artistic workshops with the students. I had the opportunity to visit Jean Pierre at his studio in Caseneuve where I could see his artwork. I was impressed by his mosaics – some pieces containing shards of ancient Roman pottery he finds in riverbeds and fields – but also amazed by the fact that Jean Pierre doesn’t own a cell phone (jealous).

All around the SCAD Lacoste campus you’ll find Jean Pierre’s artwork, from La Residence to outside shopSCAD, at Maison Basse and even in the President of SCAD’s home, Paula Wallace. AND…if you’re ever hanging out with Russell Crowe or Sandra Bullock you might notice it in their personal collections, too….

When we visited, Jean Pierre said he was “dreaming of fish”, which reflected in his work…but I know I shall sleep dreaming of archaic fragments coming together to create beautiful everlasting works of art.

Inside the Provence, France mosaic artist studio of Jean Pierre Soulhat Inside the Provence, France mosaic artist studio of Jean Pierre Soulhat Inside the Provence, France mosaic artist studio of Jean Pierre Soulhat Continue reading “Jean Pierre Soalhat”

Tia Cibani

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Recently I was delighted to meet designer Tia Cibani at her work studio in the Manhattan’s Meatpacking District, a lovely little corner studio that overlooks the beautiful cobblestone intersection of Gansevoort and Greenwich Streets. It was one of those beautiful spring days, the kind where, if you live in a walking city like I do, you opt to take the long walk home because it’s so beautiful out, and I was wearing (finally) my new spring dress designed by Tia. It reminded me of Audrey Hepburn dancing around Paris in Funny Face…but updated with its asymmetry and MoMA-esque quirk.

I was excited to meet the designer – having been born in North Africa then raised in Canada before living in China for a decade, I knew she had a true worldly palette to pull from. So here is a lovely afternoon spent in the design studio of Tia Cibani and her thoughts on fashion, designing, traveling and where her inspiration comes from…

PS- from her spring collection my favorite pieces are this for a cocktail party / this for a lunch date / or this for everyday forever and ever (so my new mantra).

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What is your background? Do you think it influences your design?

Well, I was born in Libya, but my family moved to Canada when I was 6 years old. I haven’t been back to Libya since…I’ve been to different parts of North Africa – Egypt, Tunisia, Morocco – but not to Libya. I do have some childhood memories, but they are very, very faint.

I think subliminally, it definitely finds its way into my designs. I’m drawn to that part of the world. I love the food, I love the music, I love the color, I love the history. It’s a part of me, and I’m drawn to it.

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In the Studio With…

I have always loved Prabal Gurung’s understanding of the modern woman in his designs (and so have some incredible modern women!), and his spring/summer 2014 collection was no different.

Prabal stated that his main muse for this collection was Marilyn Monroe – the perfect choice for a designer so focused on femininity. To bring her into the modern era, however, was a challenge…and one Prabal took on fun, bright, edgy way.

Marilyn was represented in the elegance, glamour, and curvy silhouettes of the collection, but the punchy colors, abstract florals, and plastic harnesses made sure she felt at home and in vogue in the fast-paced 21st century.

“It was a celebration of women,” Prabal explained. “I was thinking about preserving elegance, but making it modern and right for now with the right amount of danger…I like the idea of femininity with bite.”

I’m sure Marilyn would have approved.

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Emily Noelle Lambert

You can’t think about New York City and not think about the incredible history of artists that have defined and redefined art through the ages. This year Kevin and I are cohosting the Brooklyn Artists Ball after-party, so the rest of this week we will be doing studio tours here of a few of the artists, all based in Brooklyn, who are creating special pieces to be on exhibition at each of the guests’ tables for the museum’s annual fundraising event.

When you walk into Emily Noelle Lambert‘s studio in Greenpoint you instantly feel happier from the colors, the freedom of paint, and the joy of the artist. The walls explode with pieces ranging from paintings to found wooden structures to metal works, the result of collaborations with her brother, who is a blacksmith. The center of the room is filled with one long descending table with a beautiful range of height, texture, and saturations of color, where all the sculptures seem to dance with each other. She talks to us about her creation for the Brooklyn Artist Ball and her life as an artist…

Emily on her sculptures being “small gestures that turn into little moments that could live in a larger painting. I like to look at the texture and the history of each object and what each of the forms do and try to begin to have another conversation with what I pair them with. Once I started painting them them it really starts to feel like they are brush strokes themselves.”

On her centerpieces she is creating for the ball: “I really want the table to have more of a landscape feel. That is where I’m at now…I have all the pieces but I need to figure out the space between them, how they are going to speak to each other. ”

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Robert’s Muse

One thing Robert Lee Morris is is a true artist. He has not only received two CFDA awards for accessory design but was also awarded the CFDA’s Lifetime Achievement Award in 2007.  After digging around his studio, we had to bring some of the history to life. Modeled by our beautiful friend Taylor Livingston and styled by Kelly Framel, Robert took us through the stories and inspiration of his collection of art we call accessories.

Above image: “The long earring was a handmade, one-of-a-kind construction meant to evoke the feel of a water spout, or gingko leaf.”

Below image: Headpiece designed for a Kansai Yamamoto show, made of natural blonde horsehair; this piece was worn by every model on his Spring 1983 runway at once.

Above & below, on the breastplate: “I made it to form fit the body of Sayoko, which she wore as the bride, the finale look, under a massive embroidered coat while also wearing a very high crown I made of golden wings, formed from the reconfigured struts of a Japanese umbrella, set on a metal headband and sprayed with gold dust. This piece is incredibly special as it was the one item that I showed at the FIT museum show called IMPACT, which commemorated the 50 year anniversary of the CFDA.”

 Below image: “That belt is a brass disc with a square center ~ inspired by Chinese coins ~ and I made it as part of my belt license in the early 90′s. I believed in a form of body language, where a big disc at the waist was protection for the belly, the third chakra, the power of action and doing.”

 Above image: “The inspiration was futuristic armor, and it turned out to be one of the most beloved of my major headpieces for Kansai, very well-photographed for years after. This bubble collar was a version of the one that graced my very first cover of Vogue…this was one of the iconic pieces that helped build my early brand image.”

Robert created 12 of these headdresses, one for each model in the Kansai Yamamoto Fall 1982 shows in Paris, New York, and Tokyo.

Above image: “This green patina jumbo disc belt was made for the Calvin Klein Fall 1981 show; the inspiration was moss-colored river stones, Ireland, and the emeralds of Africa. I have kept this piece very safe and in mint condition since that show.”

Above image: “The mask was made from a mannequin of Sayoko Yamaguchi, the supermodel of the early 80′s and the muse of Kansai Yamamoto. I love this one because of the unique green patina and how the area of the eyes is left as brass. This was part of a limited production of masks that I sold at Artwear.”

From 1977-1995, Robert Lee Morris founded and ran Artwear Gallery, dedicated to showcasing wearable sculptures in the same sort of context as contemporary art.

In the Studio With

A moment of crazy fun turned into a dramatic coronation.”

On a rainy day in Manhattan, I walked into the studio of Robert Lee Morris and all of a sudden, like a scene from a musical, we were pulling out drawers and drawers of jewelry!  accessories! belts! crowns! cuffs!… a whole lifetime of creating extraordinary, one-of-a-kind pieces for the world’s top designers. “This walked down Calvin Klein’s runway and oh yes! This walked down Donna Karan’s!”

All around the studio were artifacts from travels, books for inspiration, sculptures and studies on the human form, work benches, sketch boards, mood boards, old ad campaigns and editorals framed and leaning on one another – layered through time and history. Taylor, Kelly & I were like giddy little girls finding treasures while Robert told all the wonderful fairytales that accompany each of his masterful pieces.

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In the Studio With…

Coco Chanel once commented that Paco Rabanne was the “metalworker of fashion”. Known for pushing the limits on wearable fashion, Rabanne constantly questioned the conventions of clothing design.

Rabanne started his own fashion house in 1966 and retired in 1999 after his final collection. Since then, the house has been in the hands of multiple directors. Now 29-year-old designer Lydia Maurer is the creative director. In a recent interview, Maurer said, “This is not a fashion house that’s purely about style, but mostly about handwork and craftsmanship, and texture and material.”

This past fall, when we were in Paris, we had the honor of stepping inside the studio of this historic French fashion house the week before Paris Fashion Week. Watching the workers meticulously craft every garment by hand (especially considering most of the pieces are made of metal!) was really astonishing… and I hope you’ll gather that from the images below.

Welcome to the studio of an always-modern Paco Rabanne.

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A Handbag Designer, a Dog, & the West Village

This former stylist and accessories editor is now designing her own line of luxury handbags made with exotic skins and surprising colors which reflect where she finds her inspiration, most recently from a trip to India. With a new store opening this fall in the West Village it goes without saying she went from showing us what is cool to making something cool.

I met up with Khirma at her work studio in the Village recently to see the new space and collection, talk boys and fashion mags, and, over dirty martinis, why we love NY in the fall.

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In the Studio With…

Fashion can be a lot of things from edgy to extreme… but every now and then it can be the total essence of beautiful. Perhaps I’m drawn to Lela Rose because of our Texas roots but I’m also a fan for what she gives to women, the confidence to be lovely.  I had to stop by her design studio to see what she had in store and talk about just what the inspiration was for Spring.

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